It is not every day that I am speechless in front of new music. However, the mad geniuses behind the French-based band Suess broke my inner mechanisms. 10 der größten Schlagerhits aller Zeiten is the group’s debut album, standing tall with thirty-four minutes that feels like hours. I don’t know how to describe the sounds found therein, other than they are based off of the Schlager music genre in some way.
This is an unlistenable mess… to most, if not all. However, it did strike me, oddly. I thought it was the “so bad it’s good” … Read more
From Berlin, Germany, Flora is a duo comprised of singer Flora Dekkers and pianist Benjamin Geyer. This is a very simple foundation, and, accordingly, it leads up to quite a minimalistic building, but the beauty and grace of it all entirely fills the remaining space.
At first, Flora’s voice reminded me of Lauren Kinsella’s, in Snowpoet and Blue-Eyed Hawk, but Flora’s singer has her own intonation, inflections, and timbre after the initial impression.
Flora is a simple and concise EP. It’s made of four songs, plus an introduction that is more than only a filler … Read more
London multi-instrumentalist, singer, and composer Cosmo Sheldrake released his debut full-length album earlier this month: The Much Much How How and I. The album shows the strong hand that Cosmo has on pop composition. Each of the fourteen songs on display are, in their own way, interesting, emotive, and full of ear hooks. I say “pop”, but the reality is deeper than that. Although many songs would definitely qualify as such, they are conveyed through a lush orchestration and a firm indie folk vibe; in the end, they are more than the sum of their … Read more
Tweet Tweet is a soft experimental project from Steve Pardo; it hovers between indie music, folk, and experimental pop. Bearer was released on 20 October and accounts for almost thirty minutes of gentle compositions with soaring flutes, saxophone, and vocals from Lindley Cameron. Some parts sound like some beloved passage on a Sufjan Stevens recording – one known to favour flutes in his compositions –, some are more electronic, with low fidelity guitar recordings supporting the uncertain woodwind notes, some still are almost like a singer-songwriter piece, but all undeniably appeal to the listener’s soft side with whispered notes to … Read more
Out in September but available for streaming now, Austrian Namby-Pamby Boy‘s self-titled third album aims at the no small task of transcending genres and categories. While not being outside of any pre-existing box, Namby-Pamby Boy is an album that breeds jazz, electronica, hip-hop, and rock together in a buffet of compositions. The ten-track, one-hour album goes from moody to energetic and offers plenty of interesting and powerful moments, thanks to the lush keyboards and meandering saxophone rocking the songs. The album will be out on September first through Babel Label.
Bandcamp… Read more