Kutu, Aeternam, Kolínga, and I, Parasite

Kutu – Guramayle


The Ceccaldi name is a promise of great music. On this album, both brothers collaborate with two Ethiopian singers from Addis Ababa to make a modern fusion of Ethiopian pop and jazz fusion. Everything is solidly backed up by drummer Cyril Atef, who’s previously played on other incredible albums, as with Bumcello. It’s an album made to groove, dance, and have a terribly fun time. The drums feel aptly Afrobeatish in essence most of the time, while the harmonization is walking the thin line between authentic and experimental. It’s a truly superb album!

Aeternam – Heir of

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Sweet Heart, Open Ear: May 2022

Deaf Club – Bad Songs Forever


Justin Pearson can do no wrong. I’ve reached a few different conclusions after listening to this four-song EP a few times: There is a cool table, and then there is an even cooler table; the table where those who sit at the cool table wish they sat. This cooler table is where Deaf Club sits. Everything about this release is balanced. Nothing in the mix is louder than it needs to be. It sounds almost understated. I can’t think of another example of carefully understated grindcore off the top of my head. Deaf Club… Read more

Best of Doom Metal 2021


Number Five: Dream Unending – Tide Turns Eternal


Dream Unending’s Tide Turns Eternal is an amazing progressive doom album that has some of that psychedelic edge that adds a lot to its sound! A great album to start our top 5!


Number Four: Intaglio –


You might’ve noticed it by now, but I’m not really into the whole funeral doom thing. The closest I’m willing to approach it is exampled by Intaglio’s atmospheric doom album. The album has a true sense of beauty through desolation, and it’s one of the stronger candidates for this year!


Number Three: Big, Brave

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Birushanah – 灰ニナルマデ

The Music

The Words

Naniwakko trio Birushanah released 灰ニナルマデ (Hai ni narumade) on October 3. The Japanese group has been around since 2002 under the moniker 毘盧釈那 (Birushana), and this latest opus is their fourth full-length release. The style of the band is sludge metal that includes a lot of elements from Japanese musical culture and pitched percussions.

This mix certainly makes them stand out musically. From the first minutes on 灰ニナルマデ, the pitched percussions come in and battle with the guitarist and singer for centre stage with their counter-intuitive melodies and unfamiliar harmonics. I’ve written about harmonics in Read more