Autumn Creatures is not a new name, exactly. They’ve been around since at least 2013, but it’s through Funeral Garden that I’ve discovered them. The band is made up of a core of five musicians, and they are joined on this release by a string quartet, which gives a whole new depth to the band’s music.
The band plays an essentially instrumental sort of post-metal with keyboards adding to the usual “metal band” sound. On top of that, the string quartet appears here and there for extended periods of time where atmosphere supersedes riffs. What’s more, … Read more
The post-metal of Italian band Built-In Obsolescence is one of those that we could qualify as “cinematic”. The compositions on their sophomore album Instar build slowly and leash out gloriously. Usually one or two themes are shyly introduced in the beginning of a song and built upon, brick by brick, until it reaches a climax, then things calm down a bit, and then pick up again into an higher climax, and then again for a final blaze. The way the group plays with different themes and structures makes Instar a very interesting experience. It would have … Read more
Soldat Hans is an outlier in their musical setting, lilting tranquilly somewhere in a liminal dimension between post-rock and post-metal. They are an outlier because they do not demand your attention in an immediate way, as most bands in the modern era of streaming and accessibility have to do. If a listener is bored of your track within fifteen seconds, they’re not coming back, so you have to compose songs that hook people with a certain urgency. Soldat Hans are not interested in appealing to those casual listeners; their songs are enormous, expansive, patient meditations on minimal themes. … Read more
The experimental surf rock duo Crno dete, from Serbia, just released their latest opus: the massive Neponovljivo album. This set is an improvised performance that goes on for about forty minutes; uncut, unedited, and unrepeatable. It has been divided into eight tracks, but the truly uncut version is available as a forty-three-minute single track. The music resembles experimental math rock and post-rock, but the utter flood of reverb on the guitars make me think of surf rock more than anything else, really. From the moment you press play, the guitars and the drums catawompously barge in and don’t stop … Read more
British post-rock collective Haunts recently released their debut output. A Lack of Empathy, just shy of the thirty minutes mark, is a refreshing take on the genre, thanks to Dalma’s violins expanding into reverberating swells, and Kurt’s minimalistic drumming, using a variety of rim shots and uncommon percussions to fill the available space, and, finally, the omnipresent synths, which fulfill their purpose without being overwhelming. Like clanths in an abandoned shack, Haunts remind us of old, simpler times while, on the other hand, providing us with new ways to confront the future. My favourite effort on this EP is … Read more