Sababa 5—סבבה 5 in their native Hebrew language, basically meaning “The Cool 5″—is a neo-psychedelia band from Israel with a heavy dose of Middle-Eastern music influence laced in their funky grooves. Their self-titled album is instrumental, and while it would have been cool to have some vocals to match their style, there is no time where I thought that it lacked them. The melodies and grooves provide ample entertainment on their own, and that comes with the benefit of instrumental music: it’s easier to play it as background music to whatever else you’re doing. So… Read more
Somewhere between blues, noise rock, and post-metal, we find Irish quintet God Alone. Their new album, Etc. was a huge surprise for me, and an absolute banger of an album. Perhaps you can best experience the breadth of the band’s sound by listening to the ten-minute “Kung Fu Treachery”, which goes to hell and back, and shows God Alone’s ease with disparate yet memorable musical composition. One of the great underrated noise rock albums of the year!
Insane in the Rain – Insane in the Rain
Carlos Eiene, also known as Insane in the Rain,… Read more
Fusion, in this case, is when multiple genres blend together to form something new. Jazz fusion, then, is traditionally jazz mixed with rock, but I’m more generous than that, and I’m including any sort of genre-crossing in this list!
Number Five: Cory Wong & Dirty Loops – Turbo
This might be more cheesy than a Swiss raclette, but I’ll be damned if I didn’t have a ton of fun listening to this collaboration! As always with Dirty Loops, you can expect to throw your instrument in the trash and consider finding yourself a new hobby, but in the end it’s … Read more
A bit late to the party, but here we are, nonetheless.
Let’s get the obvious out the way first. 2020 was a bad year, and this did have a knock-on effect with the amount of music that was released as well. While I personally would not say we had any absolute gamechangers this year, that doesn’t mean the year was an absolute waste. (At least, not in this one regard…) It was enough to bring me back from the dead, after all.
I may not have the same mettle for metal as Matt, nor the same dedication to deathlessly digging … Read more
DJ Khalab just released Black Noise 2084 via On the Corner Records. The album is a wonderful blend of future bass and world fusion, merging into a sort of future world music, which stems straight from the afrofuturism movement.
With a varied range of collaborators, such as singer Tenesha the Wordsmith and saxophonist Shabaka Hutchings, Khalab conducts an equally varied set of songs on the album. From dance to traditional, each track is pinned on a different part of the spectrum. The whole album feels like a middle grounds between Clipping and Namibian Tales, and … Read more