Good can come from death. Some would argue that, indeed, djent is a dead genre. I’d have to admit that it has seen better days, but, every once in a while, some shiny thing rises through the ashes and comes to the surface. A miniature speck of jade in a dull grey pile. Today, this is thanks to Mexican quartet 遺伝学者 (Iden Gakusha) and their Japan-oriented EP, 芸者 (Geisha). I believe the band achieves something great with this twenty-minute EP; here’s why.
First of all, the foundation of djent—and metal—is the riffs. Fear not, the riffs … Read more
Whew, we’ve recently gone from a very new concept, microrhythms, to a fairly advanced discussion on polyrhythms, polymetres, and polytempo. I hope that this season of Advanced Mathematics is enriching to you! Today, we’re going to talk about notes inégales – uneven notes –, what kids today call “swing feel”. It goes much deeper than what you probably imagine, and I hope you’ll learn something today!
The Triplet Feel
Most prevalent in jazz and blues music, the swing feel usually involves altering the length of two consecutive and equal notes. The most common example of this is the … Read more
British Bahraini trumpet and flugelhorn player Yazz Ahmed just released her new jazz album, La saboteuse. Mixing occidental jazz with middle-eastern music, Yazz crafted a unique and fascinating record that crosses generations and cultures. It’s really a good album to listen to if you want to travel at home, just let yourself be flown across the globe by it. La saboteuse is just full of wonderful moments, of melodies that speak old tongues and rhythms that tell old tales. I can’t recommend it enough.
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