Here comes the second release under Not Music‘s wings! French percussionist and composer Bastien Jouvin’s creative journey for Chaos et félicité has been kick-started by our Marathon software. The prospect of new, impossible rhythms seems to have had a catalytic effect on him, and new compositions just seemed to pour out of his mind. The results of these experiments are amassed on this forty-minute album, which is coming out in one month, on August 7.
Rïga’s style fuses electronic walls of texture, classical percussion, post-rock swells, noise passages, and hardcore beats, and it’s truer than ever on … Read more
Devin Townsend is an artist that has always been hard to classify. Releasing such a wide range of music, from death metal, to ambient, to new age, to progressive rock, to country. But to be confined to just one genre wouldn’t be Devin Townsend. Which is why he lets it all out on Empath, jumping from style to style at whim, and creating something truly unique as a result.
I reviewed the last Devin Townsend Project (DTP) album Transcendence back in 2016 saying it took Devin’s sound to a new level. Now that I reflect on it, that … Read more
Five years after tantalizing the death metal world with their MMXIII demo and three years removed from another promising EP, Below the Hengiform, Ireland’s quasi-supergroup Malthusian has finally delivered a full-length that lives up to their monstrous potential. Members of the quartet have roots in Altar of Plagues, Mourning Beloveth, and Wreck of the Hesperus, among other acts. Malthusian’s musical mission, as their moniker suggests, is to spread a prophetic warning of overpopulation: the idea that human growth is unsustainable and will lead to a global catastrophe as our resource usage exceeds … Read more
Since Heavy Blog Is Heavy labeled Potmos Hetoimos “Sludge Titans”, I can’t help but keep using this awesome moniker that well describes the vast catalogue and wild ambition of the project. Today, I’m glad to bring you the stream of a new song: “IV, B: Perseus, Pyrrhic”, and a thorough behind-the-sheets presentation of the music theory and artistry underlying Vox Medusae, by Matt Matheson himself.
In the following part, Matt describes the unusual scales that make up the album; a sort of leitmotiv recalling the grand operas where each character has its own distinct voice. … Read more
The tentacled brain behind The Key to Nchuandzel has long teased me about the existence of the N’gasta! Kvata! Kvakis! album, withholding me the privilege of being able to listen to it, peer into its essence, become shattered by its gaze… Fortunately, the time of reckoning is here and the Key is unleashed, for all to be enraptured.
In twenty minutes and five tracks, The Key to Nchuandzel bewilders and astonishes incessantly with its improbable but characteristic black metal. Black metal? That’s the idea I had at first, but I’m far from being certain anymore. Grindcore, … Read more