The tentacled brain behind The Key to Nchuandzel has long teased me about the existence of the N’gasta! Kvata! Kvakis! album, withholding me the privilege of being able to listen to it, peer into its essence, become shattered by its gaze… Fortunately, the time of reckoning is here and the Key is unleashed, for all to be enraptured.
In twenty minutes and five tracks, The Key to Nchuandzel bewilders and astonishes incessantly with its improbable but characteristic black metal. Black metal? That’s the idea I had at first, but I’m far from being certain anymore. Grindcore, … Read more
Experimental is the land of all possibles. Bollywood paints a rather stellar example of this in the realm of jazz with their self-titled debut album. Released on 12 August, it was briefly available through TVL Rec‘s page, and abruptly taken down—forbidding my sharing it. However, this can’t stop me from talking about it.
A few minutes over thirty, Bollywood is an album of what sounds like free jazz meets lowercase music, with each track fronted by a different solo instrument—here saxophone, here bass, and so on—backed by insectile percussions, noise backing tracks, or electronic experimentations. … Read more
Patrick’s a long-time respected player and friend of mine, and his musical explorations always resonate with me. Whether it be in the mathematical Upsilon Acrux, in the zeuhlish Corima, or in any of his other projects like Nakata or Sewing Circle, his playing is emotional, raw, and unique. Rob Magill, on the other hand, is a new name for me. He’s no rookie either, though, as he’s release many albums through Weird Cry Records, influenced by classical music, jazz, noise, and many more.
Eyes in the Dirt comes from an improvisation session carried out in a … Read more
Improvisation is the cauldron in which most great music is born, but for most musical acts it is just the beginning of the composing process. Some artists, though, are secure enough in their creative talents to make improvisation an integral component of their sound. The right musicians and framework can produce magic with this approach, and that’s precisely what a pair of internationally renowned string players have done on the self-titled debut album of Kamancello. If you like improvisation, chamber music, and portmanteaux, this is the album for you.
Kamancello juxtaposes the dynamic cello performance of Raphael Weinroth-Browne, whose … Read more
The Connecticut free rock duo Rivener sent me a message about their 2016 album, Svengali Gaze, about which I had mixed feelings – a sentiment I still hold. On September first, they released its successor in this self-titled package of about one dodrant-hour long. Here, I feel a stronger sense of vision and unity within the duo, which translates into semi-improvisations serving much more convincing purposes. The songs on Rivener are oddly reminiscent of Omniataxia‘s “Scatterwhite” in their construct and in their final forms. The band definitely borrows a lot from free jazz, but they apply their knowledge … Read more