Patrick’s a long-time respected player and friend of mine, and his musical explorations always resonate with me. Whether it be in the mathematical Upsilon Acrux, in the zeuhlish Corima, or in any of his other projects like Nakata or Sewing Circle, his playing is emotional, raw, and unique. Rob Magill, on the other hand, is a new name for me. He’s no rookie either, though, as he’s release many albums through Weird Cry Records, influenced by classical music, jazz, noise, and many more.
Eyes in the Dirt comes from an improvisation session carried out in a … Read more
Improvisation is the cauldron in which most great music is born, but for most musical acts it is just the beginning of the composing process. Some artists, though, are secure enough in their creative talents to make improvisation an integral component of their sound. The right musicians and framework can produce magic with this approach, and that’s precisely what a pair of internationally renowned string players have done on the self-titled debut album of Kamancello. If you like improvisation, chamber music, and portmanteaux, this is the album for you.
Kamancello juxtaposes the dynamic cello performance of Raphael Weinroth-Browne, whose … Read more
The Connecticut free rock duo Rivener sent me a message about their 2016 album, Svengali Gaze, about which I had mixed feelings – a sentiment I still hold. On September first, they released its successor in this self-titled package of about one dodrant-hour long. Here, I feel a stronger sense of vision and unity within the duo, which translates into semi-improvisations serving much more convincing purposes. The songs on Rivener are oddly reminiscent of Omniataxia‘s “Scatterwhite” in their construct and in their final forms. The band definitely borrows a lot from free jazz, but they apply their knowledge … Read more
Sometimes, we need to take a step back and take a listen to something that really makes you ask yourself “can this even be called music?” Of course, the answer is almost always a resounding “yes!”, but, to the neophyte’s ear, the answer might not be so clear-cut. Enters Sewing Circle, the project of Arturo, Noah, and Patrick – the latter of whom we already wrote about many times for his involvement in some of today’s wildest and most interesting musical projects – is, I believe, an improvisation-based experimental noise rock trio. The nearly thirty-minute EP is adventurous and, … Read more
Love Theme is Alex Zhang Hungtai and Austin Milne on saxophone, and Simon Frank. Love Theme, their debut album, is a languishing and bleak experimental jazz recording edited from improvisation sessions. The record is droning over almost all its runtime, with electronic music elements complementing the saxophonic exchanges. It’s melancholic and atmospheric, reflecting on the past and reaching within. There is nothing flamboyant about this release – it’s actually quite drab –, but in being so it goes straight to the point it wants to make: an ode and elegy to love. Through the slow burn of noise percussions … Read more