Malthusian – Across Deaths

The Music

The Words

Five years after tantalizing the death metal world with their MMXIII demo and three years removed from another promising EP, Below the Hengiform, Ireland’s quasi-supergroup Malthusian has finally delivered a full-length that lives up to their monstrous potential. Members of the quartet have roots in Altar of Plagues, Mourning Beloveth, and Wreck of the Hesperus, among other acts. Malthusian’s musical mission, as their moniker suggests, is to spread a prophetic warning of overpopulation: the idea that human growth is unsustainable and will lead to a global catastrophe as our resource usage exceeds … Read more

MONTHLY RECOMMENDATIONS:
July 2018

Imperial Triumphant – Vile Luxury

With a sense of modern disgust of the metropolis and a touch of retro-futurism, the band’s aesthetic is perfectly attuned, and their music simply embodies it. Dissonant, at times polyrhythmic, murky, and hopeless, Vile Luxury will sicken you; and I love to be sickened. The eight songs on record each have their own soul, so they can be picked apart rather easily, even through all the muck.

Read the review.


Journal – Chrysalis ordalias

Journal are one of the most insane and technical bands out there, and, on Chrysalis ordalias, their lead guitarist took on

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EXCLUSIVE STREAM: The Mercury Tree and Cryptic Ruse – Cryptic Tree

The Music

The Words

It’s here! It’s finally here! Listen to the Cryptic Tree EP in full right now, 24 hours before its official release! Let’s bask in the glory of heptadecaphonic music, and the occasional polyharmonic passage with icositritonic tuning, crafted in collaboration by Portland, Oregon’s The Mercury Tree and Seattle, Washington’s Igliashon Jones of Cryptic Ruse.

I shan’t say more! Let the music speak for itself. This record is mind-blowing, so check it out!


The Links

Bandcamp – The Mercury Tree
Facebook – The Mercury Tree

Bandcamp – Cryptic Ruse
Facebook – Cryptic Ruse

The Recs

Cryptic Read more

Sectioned – Annihilated

The Music

The Words

A cursory glance at the cover art for Annihilated, by Edinburgh’s Sectioned, might fool you into believing that this is some sort of sappy indie folk record; with its earnest depiction of what is presumably an area of rural Britain, the tones and hues of the photo seem to give a wistful, bittersweet atmosphere. However, much like the history surrounding Scotland’s beautiful capital city itself, a closer inspection reveals a much more sinister underbelly, with a hollowed out car in the foreground and lifeless winter trees in the background. It’s as if the chaotic … Read more