Matt’s Albums of the Decade, Part 3: #50 through #21

Part 1: 190-101
Part 2: 100-51

50. Prince – Art Official Age (#3 of 2014)

I was very, very late to board the Prince train, only taking a real interest in his voluminous work with the 2014 dual release of this album and the tamer Plectrumelectrum. These releases came a whopping four years after his previous album 20 Ten, which is shocking because there had never been any time between 1978 and 2010 (32 years) where the Artist had allowed more than two years between releases! As fresh as ever, Mr. Nelson updated his mellifluous style with modern … Read more

Matt’s Albums of the Decade, Part 2: #100 through #51

Part 1: 190-101

100. Crib 45 – Marching through the Borderlines (#7 of 2014)

Burdened with an unfortunate name held over from their very early days as a nu-metal troupe, this Finnish post-metal powerhouse should not be underestimated. Crib 45 unloads riffs with glacial pacing and neutronium density, like the slow-burning but massively climactic quasi-title track “Borderlines” or the multilayered vocal conclusion of “Into the Abyss”. Teemu Mäntynen’s intense vocal delivery provides the acrid bite that takes otherwise standard, though well-composed, post-metal fare into another dimension of quality.

99. Serpent Column – Mirror in Darkness (#8 of 2019)

Is Serpent Read more

Matt’s Albums of the Decade, Part 1: #190 through #101

At the beginning of this decade, I lugged around not one but two binders of physical compact discs which I had purchased with money in order to listen to music I enjoyed. This rapidly became consolidated onto an iPod, which held thousands of albums, some of which I had purchased with money, giving me access to anything I already enjoyed at any time. Then a few years ago, I lost this device, which permanently changed my listening habits. I switched to carrying around an older iPhone with very limited space, so even with the streaming power of Tidal (yes, TidalRead more

Kamancello – II: Voyage

Comprising Canadian cellist Raphael Weinroth-Browne and Iranian kamanche player Shahriyar Jamshidi, Kamancello is the fruit of collaborative improvisation, with the dynamic skill sets of each player bouncing off each other in unique and enchanting ways. Weinroth-Browne has, in a sense, the more challenging job of delicately balancing low-end rhythmic richness with melodic lead performance and harmonization; Jamshidi, with all his talents, is restricted to the higher range of his kamanche (think Persian violin) and thus contributes almost exclusively higher leads and harmonies. The duo juggles their three modes (kamanche leading, cello leading, dual harmony leads) with precision and aplomb. Coming … Read more