NOT MUSIC: Vox Medusae Is Out Now!

The Music

The Words

Potmos Hetoimos‘ 11th album—the first on the Not Music label—is now out!

The album is available to download for free. Alternately, you can acquire this limited digipak for just $10, shipping included, anywhere in the world.

This is a 56-minute concept album in 8 tracks telling the metaphorical tale of Perseus slaying Medusa, who is tearing his life to shreds.

Matt plays all instruments safe for the saxophone and guest vocals and solos. The album is mixed by Angel Marcloid (Fire-Toolz, Mindspring Memories). Members from the bands Curse and Usti Waya appear on Vox Medusae, … Read more

NOT MUSIC: Sludge Titan Potmos Hetoimos Premieres New Song, Goes In-Depth on Songwriting Process

The Music

The Words

Since Heavy Blog Is Heavy labeled Potmos Hetoimos “Sludge Titans”, I can’t help but keep using this awesome moniker that well describes the vast catalogue and wild ambition of the project. Today, I’m glad to bring you the stream of a new song: “IV, B: Perseus, Pyrrhic”, and a thorough behind-the-sheets presentation of the music theory and artistry underlying Vox Medusae, by Matt Matheson himself.

In the following part, Matt describes the unusual scales that make up the album; a sort of leitmotiv recalling the grand operas where each character has its own distinct voice. … Read more

NOT MUSIC 001:
Potmos Hetoimos – Vox Medusae

Drumroll please!

I am more than pleased to announce the first release under our brand new Not Music label! And it’s Potmos Hetoimos‘ eleventh album: Vox Medusae, coming out on September 12. I started Not Music with the intention of further supporting and promoting music that I love, beyond what the blog alone could manage to do, and I’m proud to put my name behind that album as a proof that I support it completely and entirely.

When Matt, the sole member of Potmos Hetoimos, sent me early mixes of his new album, I was just blown away! … Read more

Morrow – Fallow

This British septet just released their sophomore album, Fallow. The band’s raucity is most apparent in their folk-influenced, blackened hardcore sound, which covers most if not all of the playtime of this album. The most entrancing moments of this forty-five-minute album are present in its opening and closing acts; “Auguries of Menace” and “Crown in Red” respectively. Although all the songs played here reek of a sense of doom and impending destruction, the two aforementioned acts push it one step further and develop this feeling over the course of twelve minutes. Morrow‘s use of violin is genially implemented … Read more