Poil is among one of my all-time favourite bands—just check this review or this one if you need convincing. With this new album, which is set for release in March 2023, the French avant-prog trio teams up with Ni’s bassist—they’ve already collaborated on Piniol—and, for the first time, Japanese 薩摩琵琶 (satsuma-biwa) player and singer 上田純子 (Junko Ueda). The result of this collaboration is an incredible, although rather short (32 minutes is really not that bad), blend of French avant-prog and traditional Japanese music, poems, and spectacle. It’s a truly astounding record… Read more
So have you ever tried to blend mathcore and breakcore? I have, but that’s a story for another day, for today I’m talking about Netherlands-based Drumcorps. Their new album, Creature, is indeed a creature of its own. The moment you hit play, you get the dissonant off-putting riffs, you get the glitch effects and synthetic drums, and you get the howling screams. That’s basically all I want from different music genres put into a cereal box. And it’s amazing. Be sure to check it out!
Charbon – Cavalcade
Admit it, you already know what to expect,… Read more
OK, we’ve got to talk about the new Ken Mode. The Canadian sludgecore act if well renowned, and for good reasons. If their sound seemed desperate and dreadful, be ready for these knobs to be cranked to 11 on Null. Distorted, discordant, uneasy, the atmosphere of the album is oppressive and that’s what you love about them. This is a masterful album from Ken Mode, be sure to check it out.
I love Birds in Row. For a good while now did their music on me grow. These ol’ hardcore anthems with a heavenly flow… I love Birds in Row. … are today followed by Gris Klein‘s hymns of sorrow. The album’s great and this here poem helps me show I love Birds in Row.
In-Dreamview – Spires
Hell yeah! I’ve been eagerly awaiting to listen to the new In-Dreamview album. They’ve got to be one of my favourite “nu-math” bands out there. Yeah I know I just invented that term, but… Read more
Justin Pearson can do no wrong. I’ve reached a few different conclusions after listening to this four-song EP a few times: There is a cool table, and then there is an even cooler table; the table where those who sit at the cool table wish they sat. This cooler table is where Deaf Club sits. Everything about this release is balanced. Nothing in the mix is louder than it needs to be. It sounds almost understated. I can’t think of another example of carefully understated grindcore off the top of my head. Deaf Club… Read more