Brian! – Cataclysmic Engine (Nefarious Industries)
What if you replaced the bassist with a bassoonist? Well, Brian! answered this question in 2010 with their debut EP EEE. Twelve years on, the New York power trio has mastered its peculiar sound and grown more confident, more adventurous, and more certain. With the Cataclysmic Engine, you can hear the idiosyncratic sound of the bassoon, somewhere between electric bass and synthesizer during the riffs and a genuine woodwind instrument during solos. I love this instrument, and I’m really grateful that such a band exists! Be sure to check out this new… Read more
God Alone – Etc. (Prosthetic)
Somewhere between blues, noise rock, and post-metal, we find Irish quintet God Alone. Their new album, Etc. was a huge surprise for me, and an absolute banger of an album. Perhaps you can best experience the breadth of the band’s sound by listening to the ten-minute “Kung Fu Treachery”, which goes to hell and back, and shows God Alone’s ease with disparate yet memorable musical composition. One of the great underrated noise rock albums of the year!
Insane in the Rain – Insane in the Rain
Carlos Eiene, also known as Insane in the Rain,… Read more
Drumcorps – Creatures
So have you ever tried to blend mathcore and breakcore? I have, but that’s a story for another day, for today I’m talking about Netherlands-based Drumcorps. Their new album, Creature, is indeed a creature of its own. The moment you hit play, you get the dissonant off-putting riffs, you get the glitch effects and synthetic drums, and you get the howling screams. That’s basically all I want from different music genres put into a cereal box. And it’s amazing. Be sure to check it out!
Charbon – Cavalcade
Admit it, you already know what to expect,… Read more
John Zorn, played by Brian Marsella, Jorge Roeder, and Ches Smith – Suite for Piano (Tzadik)
Official Tzadik website
You have to believe me when it comes to Zorn material, as there’s no official preview of most of his music to be found online. However, Suite for Piano, despite its rather boring title and appearance, is one of his best works recently. First off, this release was inspired by Schönberg and Bach’s Goldberg Variations, and is Zorn’s take on various musical forms for piano—the prelude, the allemande, the scherzo, the menuet, and the gigue to name a few—played by … Read more