New York-based mathcore duo Bangladeafy made waves as early as 2011 with their debut release, This Is Your Brain on Bugs, and kept surprising and impressing with each successive release. This month, the drums-and-bass band releases Ribboncutter, a twenty-two-minute EP showcasing the culmination of their years of experience and experimentation.
Adding to their more natural-sounding beginnings, bassist John Ehlers now shamelessly uses a multitude of pedals to enhance the sounds that can only come from his bass guitar. Besides the to-be-expected overdrive and distortion, there are certainly a few other ones: reverb, echo, delay, … Read more
I am more than pleased to announce the first release under our brand new Not Music label! And it’s Potmos Hetoimos‘ eleventh album: Vox Medusae, coming out on September 12. I started Not Music with the intention of further supporting and promoting music that I love, beyond what the blog alone could manage to do, and I’m proud to put my name behind that album as a proof that I support it completely and entirely.
When Matt, the sole member of Potmos Hetoimos, sent me early mixes of his new album, I was just blown away! … Read more
A cursory glance at the cover art for Annihilated, by Edinburgh’s Sectioned, might fool you into believing that this is some sort of sappy indie folk record; with its earnest depiction of what is presumably an area of rural Britain, the tones and hues of the photo seem to give a wistful, bittersweet atmosphere. However, much like the history surrounding Scotland’s beautiful capital city itself, a closer inspection reveals a much more sinister underbelly, with a hollowed out car in the foreground and lifeless winter trees in the background. It’s as if the chaotic … Read more
Wisconsin’s The Central totally killed it, back in 2016, with their album Discovery of a Rat. Without any foretelling, they released Sick and Dying on Valentine’s Day. This EP is a nice follow-up to Discovery of a Rat. Its mathy post-hardcore is still here and still sounds fresh, perhaps because of a few new changes and additions. First of all, their sound seems to have put on some weight, making it closer to mathcore than it was on their previous effort. Secondly, I feel that there are more atmospheric moments; we could call them … Read more
We’ve been somewhat mystified by Spires of the Lunar Sphere‘s debut, back in 2015, so their newborn with a most megalomanic title, Siren (Take the Fair Face of Woman and Gently Suspending with Butterflies Flowers and Jewels Attending Thus Your Fairy Be Made of Most Wondrous Things), has less of that bewildering factor. That being said, it doesn’t mean it’s bad – far from it –, just that you only make a first impression once. Still jumping between metalcore, post-hardcore, mathcore, and deathcore, the duo takes its idiosyncratic eccentricity to extremes of peculiarity and heaviness. Think Arsonists Get … Read more