Ring van Möbius released their debut album Past the Evening Sun back in May, containing three very proggy tracks, including an epic twenty-one-minute title track, the full video of which is featured above. The Norwegian trio provide a hefty dose of Hammond organ, mellotron synths, and strong instrumental grooves, right out of 1971. There are lots of prog bands that take influence from that era, but few that make it sound new and original. Ring van Möbius are one of those few.
The lineup consists of Thor Erik Helgesen on lead vocals and keyboards, Håvard Rasmussen … Read more
It’s here! It’s finally here! Listen to the Cryptic Tree EP in full right now, 24 hours before its official release! Let’s bask in the glory of heptadecaphonic music, and the occasional polyharmonic passage with icositritonic tuning, crafted in collaboration by Portland, Oregon’s The Mercury Tree and Seattle, Washington’s Igliashon Jones of Cryptic Ruse.
I shan’t say more! Let the music speak for itself. This record is mind-blowing, so check it out!
Ever since their inception, The Mercury Tree has moved from an alternative metal band towards more and more obscure progressive rock and genre fusion. This progression has reached a new apex, thanks to the collaboration with xenharmonic prog solo band Cryptic Ruse on their upcoming EP, Cryptic Tree. For a few albums already, The Mercury Tree has experimented with multiple different tonal systems at once on their few latest albums, but this EP aims at pushing that experimentation to its limit.
A cursory glance at the cover art for Annihilated, by Edinburgh’s Sectioned, might fool you into believing that this is some sort of sappy indie folk record; with its earnest depiction of what is presumably an area of rural Britain, the tones and hues of the photo seem to give a wistful, bittersweet atmosphere. However, much like the history surrounding Scotland’s beautiful capital city itself, a closer inspection reveals a much more sinister underbelly, with a hollowed out car in the foreground and lifeless winter trees in the background. It’s as if the chaotic … Read more
Patrick’s a long-time respected player and friend of mine, and his musical explorations always resonate with me. Whether it be in the mathematical Upsilon Acrux, in the zeuhlish Corima, or in any of his other projects like Nakata or Sewing Circle, his playing is emotional, raw, and unique. Rob Magill, on the other hand, is a new name for me. He’s no rookie either, though, as he’s release many albums through Weird Cry Records, influenced by classical music, jazz, noise, and many more.
Eyes in the Dirt comes from an improvisation session carried out in a … Read more