Panu-Pekka Rauhala – 60 Songs in 60 Minutes

The Music

The Words

Please don’t skip this because of the cover art shown above. I know it’s probably the worst album cover you’ve seen recently – or, ever! –, but the music it forbids is worth your time, I swear! Honestly, I debated whether or not I should include the “artwork” in this review… But out of respect for Panu-Pekka Rauhala‘s artistic choices, I decided to keep it, at the cost of this very warning. Ugh, it’s such an ugly cover for such a good album… It could win many art anti-awards, of that I’m sure! Well… enough … Read more

Silent Whale Becomes a° Dream – Requiem

Silent Whale Becomes a Dream, along with a° random degree sign (°) as part of their style, is an anonymous French post-rock group – they just released their sophomore album, Requiem, and it’s a true statement of modern post-rock. Symphonic, methodical, mournful, deep, poignant, and heartfelt, this new full-length hosts four new tracks showing restraint and abandon. The newly-become quintet summons lush, echoing atmospheres, which they mollycoddle and raise gently, slowly, with care and patience, until they become their own, full-fledged being: not a human, not a song… but a living thing nonetheless. The symphonic elements, new to … Read more

Chaos Moon – Eschaton Mémoire

The ambient black metal of American quartet Chaos Moon is unleashed upon the world with their fourth full-length, Eschaton Mémoire. Their usually quite expansive compositions are shrouded in thick fogs of ambient guitars, which sound just like keyboard pads. The album’s forty minutes follow an interesting pattern of tension and release that really drive this album home. Be sure to not miss this unique and intense release.

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Chryste Panie – Chryste Panie

Chryste Panie – Polish for “Christ, Lord” – released their self-titled album earlier this year. The quatuor plays an interesting blend of free jazz and ambient electronic music inspired by devotional and shamanic music. Here, the synthesizers stick exceptionally well to the ritualistic free jazz aura the band is conveying. The droning notes and chords are exploited to their full extent by saxophonist Michał Małota, while the drummer and percussionist provide rhythmic continuity and occasional eccentricity. One of the defining moments of the album is on “Wejście”, when the folly picks up and a very rare entrance of a voice … Read more