A bit late to the party, but here we are, nonetheless.
Let’s get the obvious out the way first. 2020 was a bad year, and this did have a knock-on effect with the amount of music that was released as well. While I personally would not say we had any absolute gamechangers this year, that doesn’t mean the year was an absolute waste. (At least, not in this one regard…) It was enough to bring me back from the dead, after all.
I may not have the same mettle for metal as Matt, nor the same dedication to deathlessly digging … Read more
Here comes the second release under Not Music‘s wings! French percussionist and composer Bastien Jouvin’s creative journey for Chaos et félicité has been kick-started by our Marathon software. The prospect of new, impossible rhythms seems to have had a catalytic effect on him, and new compositions just seemed to pour out of his mind. The results of these experiments are amassed on this forty-minute album, which is coming out in one month, on August 7.
Rïga’s style fuses electronic walls of texture, classical percussion, post-rock swells, noise passages, and hardcore beats, and it’s truer than ever on … Read more
Please don’t skip this because of the cover art shown above. I know it’s probably the worst album cover you’ve seen recently – or, ever! –, but the music it forbids is worth your time, I swear! Honestly, I debated whether or not I should include the “artwork” in this review… But out of respect for Panu-Pekka Rauhala‘s artistic choices, I decided to keep it, at the cost of this very warning. Ugh, it’s such an ugly cover for such a good album… It could win many art anti-awards, of that I’m sure! Well… enough … Read more
Çub is the unlikely collaborative project between experimental math rockers Ça and dub techno artist Submarine FM. As a spinoff of Ça, it had great shoes to fill in my eyes, and the dub aspect only made things more intriguing. The collaboration actually turned out pretty amazingly well! You still find the core of Ça – whacky off-kilter and odd-time riffs supplemented with onomatopoeic vocal absurdities –, but you now find a side of electronic music that’s an uncanny match, but the two marry perfectly. This lycée-themed album gives us plenty of lessons about life and music in … Read more
Chryste Panie – Polish for “Christ, Lord” – released their self-titled album earlier this year. The quatuor plays an interesting blend of free jazz and ambient electronic music inspired by devotional and shamanic music. Here, the synthesizers stick exceptionally well to the ritualistic free jazz aura the band is conveying. The droning notes and chords are exploited to their full extent by saxophonist Michał Małota, while the drummer and percussionist provide rhythmic continuity and occasional eccentricity. One of the defining moments of the album is on “Wejście”, when the folly picks up and a very rare entrance of a voice … Read more