Good can come from death. Some would argue that, indeed, djent is a dead genre. I’d have to admit that it has seen better days, but, every once in a while, some shiny thing rises through the ashes and comes to the surface. A miniature speck of jade in a dull grey pile. Today, this is thanks to Mexican quartet 遺伝学者 (Iden Gakusha) and their Japan-oriented EP, 芸者 (Geisha). I believe the band achieves something great with this twenty-minute EP; here’s why.
First of all, the foundation of djent—and metal—is the riffs. Fear not, the riffs … Read more
DJ Khalab just released Black Noise 2084 via On the Corner Records. The album is a wonderful blend of future bass and world fusion, merging into a sort of future world music, which stems straight from the afrofuturism movement.
With a varied range of collaborators, such as singer Tenesha the Wordsmith and saxophonist Shabaka Hutchings, Khalab conducts an equally varied set of songs on the album. From dance to traditional, each track is pinned on a different part of the spectrum. The whole album feels like a middle grounds between Clipping and Namibian Tales, and … Read more
The Swiss avant-garde black metal band Schammasch – name taken from Šamaš, the Mesopotamian God of Justice – will release their third full-length album, simply titled Triangle, on April 29th. As the name suggests, the concept of this highly ambitious work is tripartite, each side clocking in at 33:30. Yes, that makes for more than a hundred minutes of music! Inspired by Richard MacDonald‘s sculptures, the cover album portrays circus artist Sasha Krohn, falling into nothingness, photographed by Ester Segarra. Every side of the Triangle has its own identity, and feels very unique, they deal with various concepts, … Read more
Armand Jourdain is a French self-taught musician who likes to blend djent to jazz and world/folk music. It’s really not the other way around because there is just so little heavy moments compared to the amount of lighter ones that it can’t be classified as a heavy metal release.
This short, three-track EP maintains this style of keeping the djent just for the more intense parts. This is a good trick, as it allows for a wide dynamic range, and the rise in intensity can be truly felt, rather than implied. However, it most likely turns off most djent kids. … Read more