Kutu – Guramayle
The Ceccaldi name is a promise of great music. On this album, both brothers collaborate with two Ethiopian singers from Addis Ababa to make a modern fusion of Ethiopian pop and jazz fusion. Everything is solidly backed up by drummer Cyril Atef, who’s previously played on other incredible albums, as with Bumcello. It’s an album made to groove, dance, and have a terribly fun time. The drums feel aptly Afrobeatish in essence most of the time, while the harmonization is walking the thin line between authentic and experimental. It’s a truly superb album!
Aeternam – Heir of
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Autumn Creatures is not a new name, exactly. They’ve been around since at least 2013, but it’s through Funeral Garden that I’ve discovered them. The band is made up of a core of five musicians, and they are joined on this release by a string quartet, which gives a whole new depth to the band’s music.
The band plays an essentially instrumental sort of post-metal with keyboards adding to the usual “metal band” sound. On top of that, the string quartet appears here and there for extended periods of time where atmosphere supersedes riffs. What’s more, … Read more
British post-rock collective Haunts recently released their debut output. A Lack of Empathy, just shy of the thirty minutes mark, is a refreshing take on the genre, thanks to Dalma’s violins expanding into reverberating swells, and Kurt’s minimalistic drumming, using a variety of rim shots and uncommon percussions to fill the available space, and, finally, the omnipresent synths, which fulfill their purpose without being overwhelming. Like clanths in an abandoned shack, Haunts remind us of old, simpler times while, on the other hand, providing us with new ways to confront the future. My favourite effort on this EP is … Read more
Silent Whale Becomes a Dream, along with a° random degree sign (°) as part of their style, is an anonymous French post-rock group – they just released their sophomore album, Requiem, and it’s a true statement of modern post-rock. Symphonic, methodical, mournful, deep, poignant, and heartfelt, this new full-length hosts four new tracks showing restraint and abandon. The newly-become quintet summons lush, echoing atmospheres, which they mollycoddle and raise gently, slowly, with care and patience, until they become their own, full-fledged being: not a human, not a song… but a living thing nonetheless. The symphonic elements, new to … Read more
An Anthology of Human Sickness is the debut EP of UK-based solo symphonic deathgrind project The Clockwork Deity. At under ten minutes long, it’s quite a short EP, but the three songs plus introduction are more than good enough to warrant a good time. While the symphonic elements were more upfront on ‘Spontaneous Abortion.’, the other songs integrate them fully and naturally to the grinding compositions. It’s quick, it’s aggressive, full of blast beats and technical riffs, and with a touch of classical music in the orchestration. The Clockwork Deity manages to craft something rather unique and entirely good. … Read more