Autumn Creatures is not a new name, exactly. They’ve been around since at least 2013, but it’s through Funeral Garden that I’ve discovered them. The band is made up of a core of five musicians, and they are joined on this release by a string quartet, which gives a whole new depth to the band’s music.
The band plays an essentially instrumental sort of post-metal with keyboards adding to the usual “metal band” sound. On top of that, the string quartet appears here and there for extended periods of time where atmosphere supersedes riffs. What’s more, … Read more
British post-rock collective Haunts recently released their debut output. A Lack of Empathy, just shy of the thirty minutes mark, is a refreshing take on the genre, thanks to Dalma’s violins expanding into reverberating swells, and Kurt’s minimalistic drumming, using a variety of rim shots and uncommon percussions to fill the available space, and, finally, the omnipresent synths, which fulfill their purpose without being overwhelming. Like clanths in an abandoned shack, Haunts remind us of old, simpler times while, on the other hand, providing us with new ways to confront the future. My favourite effort on this EP is … Read more
Silent Whale Becomes a Dream, along with a° random degree sign (°) as part of their style, is an anonymous French post-rock group – they just released their sophomore album, Requiem, and it’s a true statement of modern post-rock. Symphonic, methodical, mournful, deep, poignant, and heartfelt, this new full-length hosts four new tracks showing restraint and abandon. The newly-become quintet summons lush, echoing atmospheres, which they mollycoddle and raise gently, slowly, with care and patience, until they become their own, full-fledged being: not a human, not a song… but a living thing nonetheless. The symphonic elements, new to … Read more
An Anthology of Human Sickness is the debut EP of UK-based solo symphonic deathgrind project The Clockwork Deity. At under ten minutes long, it’s quite a short EP, but the three songs plus introduction are more than good enough to warrant a good time. While the symphonic elements were more upfront on ‘Spontaneous Abortion.’, the other songs integrate them fully and naturally to the grinding compositions. It’s quick, it’s aggressive, full of blast beats and technical riffs, and with a touch of classical music in the orchestration. The Clockwork Deity manages to craft something rather unique and entirely good. … Read more
So Hideous have carved a name for themselves in the post-metal scene with their focused and well-written first album “Last Poem/First Light”, just last year. They’re returning with Laurestine, out October 16th on Prothetic Records. Let’s talk more about the band and the album, now.
They seem to take the compositional process in the opposite way of most bands nowadays. Each composition starts on piano. Then comes the orchestral arrangements, and only then are added the guitars, bass, drums, and vocals. That makes for very emotional music that doesn’t rely on riffs or pretty much any other metal trope … Read more