What if you mixed wonky beats hip-hop, jazz, and AAL-style compositions and technique? Well, you get Sinularia. The unique character of the music that’s shown on Subwater Beats is utterly fascinating. The band consists of a drummer, a double bassist, and an electric guitarist. All of them seem very fond of effect pedals and post-production shenanigans. Regarding the composition, the songs move from one section to the next like tides ebb and flow, and it’s a real rhythmic challenge at times to decipher what’s going on. It’s real fun when bands make rhythm their main focus,… Read more
If every genre of music is a language, then we can think of bands as authors who write in those respective languages. The first chord of II tells you instantly what language we are speaking. The language of dissonant black metal has been evolving and becoming more popular in the last decade. Every band has their own formula for writing music like this; their own dialects and slang, their clicks and pops, their interpretations, and their judgments. I trust the clicks and pops and judgments of Rejoice! The Light Has Come.
Qebrus – also sometimes written as Qebrµs, capitalized or not – is one of these musical oddities that keep on giving. Earlier this year, we’ve covered the project’s latest release, ᐔᐌᐂᐍᐚ, and, after many single releases, we find ourselves once again in front of a full-length release: ◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙◙. The album, from here on referred to as A A(source) for obvious reasons, is in line with most of the cryptic glitch artist’s output, but feels more minimalistic, contemplative, even. It might be difficult to grasp the complexity and effort that goes into making these tracks, just because … Read more
You know that I’m a sucker for microtonal music. I still am quite critical of it, but I always applaud the effort put into it. So, it’s no surprise that I’m enjoying the new Sevish very much! The artist has proven themself time and time again with various successful releases, including my personal favourite, Rhythm & Xen. With Harmony Hacker, Sevish takes back where their 2015 full-length left, and offers us some high-quality electronic dance music, with drum and bass and IDM undertones, that’s surprisingly easy to approach considering its microtonal nature. Speaking of which, the songs vary … Read more
(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more