Andrew Bernstein is a saxophone player and composer most recognized for his involvement in experimental band Horse Lords. He is releasing his latest album, An Exploded View of Time, through Hausu Mountain Records.
When listening to it, I can’t help but summon a comparison with saxophone virtuoso Colin Stetson. Of course, the palette of solo sax releases is pretty wide even for this relatively niche and narrow canvas, but the choice of techniques and soundscapes with which Andrew decided to paint it are remarkably similar. A short list of those include overblowing, circular … Read more
The minimalistic contemporary classical quintet Turbamulta released their self-titled album via Clean Feed Records on 16 March. The near-fifty-minute album is made of three main tracks, two of which are divided into smaller pieces, and a shorter interlude. The composition-improvisation process of the chamber ensemble seems quite unique and somewhat convoluted. From what I can gather, it seems like they reiterate upon previous improvised sessions, in a sort of musical feedback loop. I’d like to know more about it, but the words of the label itself seem shrouded in lyrical musings.
Nevertheless, the end product is pure joy … Read more
(ghost)‘s newest album, Everything We Touch Turns to Dust, was released on June second via n5MD. It’s my first experience with this project, and I must say I’m pleasantly surprised. The record delivers atmospheric IDM with some glitch aesthetics. At times, it sounds like qebrµs, but a million times less experimental and abstract, rather staying on the approachable and relatable side of things. Now, my knowledge of electronic music is quite limited, but Everything We Touch Turns to Dust is a record that I enjoyed a lot. At first glance minimalist, this façade covers some very interesting choices … Read more