In today’s world, the modern metal scene finds itself facing an odd paradox of being more diverse and varied than ever before, while also having a notably larger number of puritans than a lot of other music scenes. As such, the word “gimmick” gets thrown around way more than it has any right to be, and with an act like The Algorithm I’d say that finding this label tossed about is pretty much a given. However, with the release of its latest album Brute Force, The Algorithm not only completely dismisses the notion of being merely a “gimmick act” … Read more
Electro-djent band Novållolong teased us for their new material, and we finally get to hear some of it! Betty Phage Goes To Bronxton is the first single from their second album, simply titled “Novallo II” (without the å, much to our dismay). Gino teased us of his experimentation with distortion sounds, and I guess it wasn’t for nothing! The guitar sounds very processed, almost sounding like noise is coming through, but it gets the effect it sought. Also, I think I’ve never heard a swing-felt djent song, and I’m glad that this day has finally happened. In … Read more
Taking up enough space to fill two complete CD’s and a half with its 200 minutes of play time, experimentalists Wozzeck‘s Act 5 is an experience in tediousness, repetitiveness, droning, long polyrhythms, and slowly evolving music.
The album is divided into 5 parts, each of 40 minutes, and each with its fundamental concept. It was recorded as a trio consisting of bass, drums, and a computer/keyboards/electronics/voice/guitars person, who happens to be the mastermind behind the project, Ilia Belorukov. The first part, “Act 5.1”, stems from a single 11/8 bar at 120 bpm, and is divide in 8 parts with … Read more
Here’s the monthly recommendations post you’ve awaited for so long! Ah, who am I kidding? I’m the only one reading this blog! Anyways, what are the unmissable releases of July 2015, according to the three-legged raven?
First off is Ethan McKenna‘s sophomore, In Transition. It’s what I’d call an acoustic prog album. Ethan makes use of advanced techniques on his acoustic, like percussive playing, loads of harmonics, and some slap and tapping too, for good measure. Even though its main focus is on the acoustic guitar, it’s well-accompanied by the usual bass and drums, and sometimes even by … Read more
Sevish has been known in the microtonal music circles for some time now, mostly due to his 2010 effort “Golden Hour”. 2015 marks the return of the man, with Rhythm And Xen, a xenharmonic effort leaning heavily on drum & bass and electronic music, as well as breakbeat and ambient music. For the uninitiated, xenharmonic is “music that does not sound like 12-tone equal temperament”, according to Ivor Darreg, who coined the term.
Therefore, the music in there might be quite hard to grasp for somebody who’s only heard 12-tone equal temperament (12-TET) all their life, taking up practically … Read more
Spectral Lore is best known for their contemplative, mournful progressive black metal, like in their latest LP III, which we loved! However, they’ve unveiled a facet of themselves that I did not know: ambient/electronic music. Those two music genres seem pretty antipodal, but, in the case of Spectral Lore, they serve the same purpose: create an atmosphere; immerse the listener into their world. The only difference is the approach.
What they usually did with guitars, bass, drums, and vocals, they now do only with synthesizers, and the result is marvellous. It’s no surprise, because they were already incredibly talented … Read more
ZIA is, for the most part, a one-woman microtonal pop band, with Elaine Walker behind the wheel. Releasing albums since 1998 under the monicker ZIA, and experimenting since the very beginning with xenharmonic tunings, Drum’N’Space is the first all-microtonal album. On top of it all, this album is said to be only part of an epic space rock opera that is in the works! If that doesn’t scratch your weird music itch…
Drum’N’Space is written in multiple tunings. The first song is in 17 notes per octave (or EDO, for equal divisions of the … Read more
Becca Stevens‘ crowdfunding campaing was probably the most infuriating one I’ve ever participated in. Their new album, Perfect Animal was set on being released in fall of 2014, and was crowd-funded to cover the expenses of recording, mixing and mastering (which was already made at that point), and to fund the promotion, album art, and printing vinyl and CD. I am really fine with this kind of crowdfunding: the album’s [almost] ready for delivery, and even if the goal was not met, it would still get released, not like other shitty campaigns.
If you didn’t already know our blatant bias towards French experimental metal band Pryapisme, now is the time to witness it. The reason is that the band’s newest work, Futurologie EP, has just come out, and, as you would expect from a totally biased reviewer, it’s fucking incredibly awesome! Now let’s dig a little deeper to see why, and try to convert you into our Church of Pryapismology.
First of all the band has made it clear from the very beginning that they would be including a lot of humour into their instrumental mayhem. With an imagery based … Read more
Lee Wanner is a particular fellow, music-wise. His now defunct (from what I understood) band, Rejectionary Art, released one album of pure heavy grooviness, and one other of varied musical genres applied to djent, the latter in a rather small dose. All the while, his solo albums ranged from purely jazz awesomeness to weird and creepy classical music with foley, and a funky 80s-style album, among other ones. Now, with Every Man Is An Island, Lee seems to have gathered all these varied experience to make something truly, strangely, weird and good!