Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground … Read more
Releasing tomorrow on October 19th, the aptly named new album from Mike Mills’ Toehider is not just “Good” it’s great! But that’s to be expected of Mike as he’s continued to push the envelope in the prog genre in weird and interesting ways.
Mike’s early work under the name Toehider consisted of twelve EPs that he completed in twelve months. Quite a demanding schedule that only someone as crazy and driven as Mike could accomplish. I first really started following Toehider around when he crowdfunded his last album, What Kind of Creature Am I?, on the … Read more
I first discovered Kaipa about a decade ago when I was really into The Flower Kings and was exploring their various side projects. The Flower Kings frontman Roine Stolt was a member of Kaipa during the late 70s (when he was only 17), and during their reformation in the early 2000s, but left after their 2005 album Mindrevolutions. Children of the Sounds, out on September 22nd, is now the eighth album since Kaipa’s return, and thirteenth overall.
The dynamic between Patrik Lundström’s and Aleena Gibson’s vocals is quite powerful and something that has always stood out to me … Read more
Australia has become one of my favourite places in the world to look out for new and exciting bands. From alien overlords such as Portal to fresh faces of progressive metal like Caligula’s Horse, there is a pallet of sounds to be found on the Lucky Country. However, there is a special label that has gained recognition for finding and delivering some of the most unique albums I’ve heard in recent years: Art as Catharsis.
Psychedelic drone music with eastern influences (Ḥashshāshīn), John Zorn worship jazzgrind (Kurushimi (苦しみ)) or experimental hardcore madness (Tired Minds), Art as Catharsis has … Read more
Wobbler is a Norwegian progressive rock band that’s younger than it sounds. On October 20, they will release their fourth full-length album, From Silence to Somewhere, and it seems lifted straight out of the golden age of progressive rock. The Canterbury sound is quite apparent in this there eclectic, there symphonic monument of an album. The eponymous megalith opening this four-track record covers a wide range of the progressive rock of the late sixties and seventies. Rarely – if ever – do we smell the faintest fragrance of modernism in this musical anachronism. Organs, flutes, – did I hear … Read more
We recently discussed a band that takes math rock to the extremes in terms of technical skills, to the detriment of the ‘math’ aspect, but here’s a band that does the opposite. Marateck don’t play thirty-second notes and they don’t quickly arpeggiate extended chords, but they ingeniously integrate polyrhythmics and polymetrics into often odd-time signature compositions. This is more evidently displayed on their debut album, Time Is Over, which was released on July eleventh. Of course, playing such counter-intuitive timings and measure subdivisions is a technical feat in itself, but it unfortunately garners much less attention than playing … Read more