EXCLUSIVE PREMIERE: Ilevens – “Transmitter”


Ilevens is the latest brainchild of microtonal musician Brendan Byrnes, of whom we’ve already praised the projects here on this website, and Transmitter is their debut EP. The concept of Ilevens, formerly known as 11ins, was to form a full microtonal pop/rock band, and the chosen system was 22 equal divisions of the octave. After many demos, under both the 11ins and Ilevens monikers, Transmitter is ready, with two brand new compositions – “Solavai” and “Transmitter” – and re-worked versions of their earlier songs. While the uncommon pitches will surprise more than one person, the psychedelic, progressive, pop-rock style in … Read more

EXCLUSIVE PREMIERE: Stream Ground Patrol’s Mathematical Debut Album, Drift


Oh, Art as Catharsis, it’s not the first time we praise you and undress our hearts to your fascinating gift for finding jaw-dropping new music from the island-continent of Australia. We can continue to deny we are total fanboys by arguing that it’s the first time we do so this month, but we know everybody sees through us and the lies we tell ourselves. Well, until Lachlan and AAC starts to disappoint us, we will continue to praise the label’s merits and its amazing roster. This time, it’s an Australian-American band: Sydney’s and New York’s Ground Read more

Toehider – “Good”

Releasing tomorrow on October 19th, the aptly named new album from Mike Mills’ Toehider is not just “Good” it’s great! But that’s to be expected of Mike as he’s continued to push the envelope in the prog genre in weird and interesting ways.

Mike’s early work under the name Toehider consisted of twelve EPs that he completed in twelve months. Quite a demanding schedule that only someone as crazy and driven as Mike could accomplish. I first really started following Toehider around when he crowdfunded his last album, What Kind of Creature Am I?, on the … Read more

Kaipa – Children of the Sounds

I first discovered Kaipa about a decade ago when I was really into The Flower Kings and was exploring their various side projects. The Flower Kings frontman Roine Stolt was a member of Kaipa during the late 70s (when he was only 17), and during their reformation in the early 2000s, but left after their 2005 album Mindrevolutions. Children of the Sounds, out on September 22nd, is now the eighth album since Kaipa’s return, and thirteenth overall.

The dynamic between Patrik Lundström’s and Aleena Gibson’s vocals is quite powerful and something that has always stood out to me … Read more

Wobbler – From Silence to Somewhere

Wobbler is a Norwegian progressive rock band that’s younger than it sounds. On October 20, they will release their fourth full-length album, From Silence to Somewhere, and it seems lifted straight out of the golden age of progressive rock. The Canterbury sound is quite apparent in this there eclectic, there symphonic monument of an album. The eponymous megalith opening this four-track record covers a wide range of the progressive rock of the late sixties and seventies. Rarely – if ever – do we smell the faintest fragrance of modernism in this musical anachronism. Organs, flutes, – did I hear … Read more

The Tangent – The Slow Rust of Forgotten Machinery


Out this Friday is The Tangent‘s new album The Slow Rust of Forgotten Machinery, or “Where Do We Draw the Line Now?”. This politically charged prog album is very dense but enjoyable once you fully dig into it. It has some nice jazz sprinkled throughout and some great melodies and solos. There’s an electronic breakdown in the track ‘Slow Rust’; apparently the band brought in a DJ for those sections. They even got Chumbawamba founder Boff Whalley on as a guest vocalist. The slogan of this album is “The World Changed. Not the Band.” But, with this genre, … Read more