Stimpy Lockjaw – Stimpy Lockjaw

Stimpy Lockjaw is best described as “Fuck you and listen for yourself”. Simply put, it’s an improvisation jazz & metal crash course. Simplerly put: it’s freaking awesome and why the fuck aren’t you listening to it yet?

Nicholas Llerandi and Kevin Theodore (Ever Forthright) teamed up with Zachary Marks (drums) and Steve Jenkins (bass) to create a cow-tipping experience! It’s honestly one of the best-crafted pieces of music I’ve got to hear! A more aggressive Exivious, a more progressive (and metal) Axon-Neuron, Dillinjazz Escape Plan, Trioscapes with guitars or, really, just Ever Forthright on psychotropics … Read more

Empirine – Oculi

Empirine‘s fourth EP, Oculi, has really made the light shine on this Swedish progressive death metal duo. It will crush you and amaze you, and that will be a good death.

The band goes straight to the point and hits you in the face with all the musical glory that it’s capable of. It’s fast-paced, it’s heavy, but most of all, it sounds incredibly good! The production work here is marvellous. They’ve got a little “standout” element of style akin to what Cynic used to have: the vocoder. And, unlike others, they actually use it … Read more

Lulu is Metallica’s best album

Even though it’s been wildly and almost unanimously massacred by both critics and fans, the one-time collaboration between Lou Reed & Metallica has become the latter’s most adventurous, and strongest release in a more than 30 years career.

Lulu appears like a Swiss knife in a battle axe collection; I don’t need to tell you it’s out of place. Indeed, I believe the reason why it was so broadly bashed is that it was seen as a Metallica record. The amount of “Metallica” sound throughout the album is so few that it could’ve been sold as something completely else and … Read more

Deconstructing Sequence – Access Code


As a young and talented extreme progressive metal act, Deconstructing Sequence, from the UK, begins to make waves in the community. Their latest two-song EP, Access Code, seems to follow the trend established by their debut EP last year: it’s harsh, it’s extreme, it’s good, but it’s short!

The sci-fi-inspired three-piece seems to succeed to their 2013 EP “Year One”, both concept-wise, and in music. Musically, it’s fast-paced and heavy, with the occasional lighter clean guitar with lots of effects on. Over the marathoning drums, the guitars and keyboards exchange places frequently. Similarly, … Read more

Peculate – The Chain Industry (Collateral Damage, Pt. II)


The music of Peculate has been described as many things. I, however, would like to describe Peculate as restless, colourful, and eclectic.

Restless because a new LP is released every few months, with a few songs or sometimes an EP in-between. The rate of production resembles that of Omar Rodriguez-López, or, in other words, it’s a crazy production rate! Colourful and eclectic go side-by-side: the music is varied and in-your-face, hence the “colourful”, and its inspiration is drawn from a very diverse array of genres, and styles, quite literally “eclectic”.

Peculate‘s latest, The Chain Read more