Hailing straight from the country of Belarus, Eximperituserqethhzebibšiptugakkathšulweliarzaxułum gained attention to the public eye with their demo, in 2013, because of their absurdly lengthy and convoluted band name and song titles, but remained in our mind because their music was frankly good. They’re playing some [very] brutal death metal with a touch of tech-death and atmospheric thrown in for good measure. Moreover, behind the name lies hidden a very interesting, occult world and concept. It is, according to the band itself, an agglutinative neologism, with loans from Latin, Ancient Egyptian, Akkadian and Sumerian terms of “the Chaosatanic tradition”. I quote, … Read more
Listen to “The Ecstasy of Dreams” in an exclusive premiere stream right now!
Cetacean is a band from Los Angeles, California, that came to being in 2015 under the direction of David Sais, with members from well-established bands, such as Black Sheep Wall and Horse the Band, and other musicians. The result is a progressive blackened doom sextet and a 35-minute EP called Breach | Submerge, which was released on January 29th on CD, and will see a vinyl release on March 27th. The designation of EP for a piece longer than half an hour is quite unusual, but understandable given the lengthy nature of doom music, where slow and atmospheric riffs … Read more
Sunless is a band from Minnesota created in 2014 and comprised of four members. With heavy influences from dissonant death metal acts such as Gorguts and Ulcerate, and a surprising audio quality considering it’s labeled a demo, Sunless will most certainly get people talking, and chances are that Demo 2016 is only the first of many great albums they put out. But why is it so good?
If you haven’t noticed already, it dwells on dissonance, and equipoises technicality with atmosphere. Indeed, the very first, lone arpeggiated and distorted chord from the song Born of Clay immediately screams “You’ve come … Read more
Antlion is a progressive death metal quartet from Canada’s capital, Ottawa. Their debut album, The Prescient, came out on October 23rd.
First of all, they don’t do anything spectacularly out of the norm, but they do it well enough to keep it an interesting, and at times engaging, listen. There’s plenty of time signature changes and modulations throughout the album, the riffs are complex and driving, and the overall sound is tight. It just makes you try and fail to headbang to it. The album’s length is decent, giving you just enough juice to enjoy before getting overwhelmed, and … Read more