Moscow’s uSSSy is a long-time favourite of yours truly. Here’s a cringy post from 2013 as proof. Since their last album, Unsharp Mask, released now about five years ago, we weren’t certain that the ball was still rolling or if the group had decided to quit. A recent release of the band’s unreleased demos was an ominous sight, almost like the last nail in the coffin for uSSSy. I couldn’t have been more wrong, however, as they soon after announced the release of their newest work: Voyage.
Voyage takes off where Unsharp Mask left, … Read more
Rarely have I been so eager to listen to a new album as this. That’s hardly surprising, however, as Piniol is the heavenly merger of French avant-prog bands Ni and Poil, both of which I’ve been very fond of for years! How this symbiosis came to be is unknown to me, but that doesn’t matter. What matters is the result of this otherworldly union.
Bran coucou is the full-length endeavour made by this trio-plus-quartet, and it slaps like nothing else. As it is basically a double band playing as one, a sort of musical conjoined … Read more
Coming out on the nineteenth, Perfect Beings‘ third album, Vier, excels at making new symphonic progressive rock. As soon as the four-part opening track “Guedra” starts, you know what you’re getting into. If the polyphonic vocal introduction didn’t sell it, maybe the next, odd-metred riff with accompanying woodwinds solo will. Still not convinced? Just let the polymetric backing track to the next solo sink in! My point is that the album is filled to the brim with fascinating moments, if you take the slightest moment to analyze them. Indeed, they are so well crafted that they aren’t jarring … Read more
Russia-based R.A.I.G. (Russian Association of Independent Genres) label seldom disappoints. The latest hit from under their wings is from German avant-garde progressive rock band Alex’s Hand, and their fourth studio album, Katatak – stylized KaTaTaK. Contrary to tradition, the songs don’t follow an overarching theme or concept, but the three main chunks – “Waterfalls”, “Epic”, and “Ghost Peppers” – each tell a story through convoluted long-form structures, atypical riffs and rhythmic patterns, and a generally rather aggressive take on progressive rock and jazz rock. Katatak is unsurprisingly very colourful, despite the overall bleakness of the concepts and songs; … Read more
Çub is the unlikely collaborative project between experimental math rockers Ça and dub techno artist Submarine FM. As a spinoff of Ça, it had great shoes to fill in my eyes, and the dub aspect only made things more intriguing. The collaboration actually turned out pretty amazingly well! You still find the core of Ça – whacky off-kilter and odd-time riffs supplemented with onomatopoeic vocal absurdities –, but you now find a side of electronic music that’s an uncanny match, but the two marry perfectly. This lycée-themed album gives us plenty of lessons about life and music in … Read more