Thoughts from a Stone was actually the first ever teaser released for the Coma Cluster Void experiment, all the way back in 2014. Back then, I suppose it was going to end up on their upcoming full-length, with the slogan “Aural Representation of Pain and Suffering” – Mind Cemeteries –, but the composition probably expanded or reiterated to what it is now: a twenty-two-minute, six-part suite of contemporary death metal. Contemporary? Yeah, I feel that this adjective better suits their sound than the rather narrow definition of “tech-death” or the vague “experimental” and “avant-garde” tags. “Math metal” is a good … Read more
Kaipa – Children of the Sounds
I first discovered Kaipa about a decade ago when I was really into The Flower Kings and was exploring their various side projects. The Flower Kings frontman Roine Stolt was a member of Kaipa during the late 70s (when he was only 17), and during their reformation in the early 2000s, but left after their 2005 album Mindrevolutions. Children of the Sounds, out on September 22nd, is now the eighth album since Kaipa’s return, and thirteenth overall.
The dynamic between Patrik Lundström’s and Aleena Gibson’s vocals is quite powerful and something that has always stood out to me … Read more
An Art as Catharsis Special: Opium Eater, Raven, Seims & Slowly Building Weapons
Australia has become one of my favourite places in the world to look out for new and exciting bands. From alien overlords such as Portal to fresh faces of progressive metal like Caligula’s Horse, there is a pallet of sounds to be found on the Lucky Country. However, there is a special label that has gained recognition for finding and delivering some of the most unique albums I’ve heard in recent years: Art as Catharsis.
Psychedelic drone music with eastern influences (Ḥashshāshīn), John Zorn worship jazzgrind (Kurushimi (苦しみ)) or experimental hardcore madness (Tired Minds), Art as Catharsis has … Read more
Squalus – The Great Fish
Bass, drums, keyboards, and vocals. Those are the building blocks of California experimental death metal band Squalus. Their debut album, The Great Fish, walks the line between death and doom metal, with a lot of atmospheric tendencies, some sludge, and synthwave, I guess, into a somehow cohesive whole. Bass-driven metal acts are not a new thing by any means, but there are many pitfalls on the way to make them interesting and appealing, into which many of the contenders inadvertently get trapped. Two of the most obvious ones are the frequency range and the timbral diversity. Squalus hopefully … Read more
Art the Band – Snacks
I’ve written a line or two about Toronto’s Art the Band, last year, when I found out about their full-length, Boost Unavailable. I was impressed and awed by it, so it’s with great anticipation and matching expectations that I’ve approached their most recent release, the Snacks EP. I wasn’t aware that it was coming, so I was surprised, and, upon listening to it, was once again surprised. I have to say that I didn’t exactly recall what Art the Band was about, but Snacks quickly corrected this. The first and “Big Track” is a pretty standard jazz … Read more