You don’t often see, or hear, a troupe of classically trained musicians making progressive rock music along with an all-female vocal trio. Yet, as its name alludes to, Knells II is the second album of New York’s The Knells, a band united under Andrew McKenna Lee’s vision. The compositions are rather short and to-the-point, but are meticulously written with many intertwined layers more akin to a woven tapestry than merely a bunch of parallel threads. Knells the Second is a direct successor of the first of its name, superior in every regard – except in duration. The Knells was … Read more
Australia has become one of my favourite places in the world to look out for new and exciting bands. From alien overlords such as Portal to fresh faces of progressive metal like Caligula’s Horse, there is a pallet of sounds to be found on the Lucky Country. However, there is a special label that has gained recognition for finding and delivering some of the most unique albums I’ve heard in recent years: Art as Catharsis.
Psychedelic drone music with eastern influences (Ḥashshāshīn), John Zorn worship jazzgrind (Kurushimi (苦しみ)) or experimental hardcore madness (Tired Minds), Art as Catharsis has … Read more
Russian progressive chamber duo iamthemorning has been a growing name over these years since the release of their debut album, entitled “~”, which blends chamber music with touches of progressive rock to create a beautiful atmosphere formed in majority by Gleb Kolyadin’s amazing piano work and Marjana Semkina’s astonishing vocals. Their sophomore record, “Belighted”, saw the band increasing its potential and audience. Lighthouse, their second KScope release, reaches new levels of sound and ambition to deliver a touching work of art. For this release, they’ve enlisted the help of Porcupine Tree’s musicians Colin Edwin (bass) and Gavin Harrison (drums), … Read more