Every Man Is An Island is artist and multi-instrumentist Lee Wanner‘s upcoming solo album. Adding so many varied influences to a progressive metal, or djent perhaps, foundation that it’s difficult to categorize his music as such, this is certainly progressive in the literal way of the term.
I’ll be the first to buy that album once it’s available (if my wallet lets me), and I highly suggest you take interest in this man’s greatly interesting music!… Read more
The band consists of ex-Obscura’s Christian Muenzner, Linus Klausenitzer, and Hannes Großmann, joined by Morean on vocals, and Danny Tunker on other guitars. With such a stellar lineup, we are to expect stellar musicianship and song construction. But what the first single Carbon Phrases let us hear is embarrassingly underwhelming. It’s certainly not “the World’s most extreme” at what they do, and it doesn’t sound … Read more
Here it is! The glitchy, catty, spacey music video for the first music piece from Pryapisme‘s new EP, Futurologie. This one is Part IV, and there’s only one thing I must say: it’s too short! It’s too damn short!
In other words, I can’t wait February 9th, when this bad boy comes out. Pre-order the EP now here!… Read more
In Torment is a technical death metal band from Brazil. Sphere of Metaphysical Incarnations is their third and latest album, released through Rapture Records… no, not this one, THIS one (and yes, that’s a myspace link).
They make that traditional kind of tech-death, nothing too fancy or sparkly, just great riffs, blast beats, and cool guitar solos. Ever member is skilled on their instrument, as we should expect, and the construction of songs is good. That said, it’s a pretty boring album. At just over 30 minutes in length, which is kinda short, it still feels too long. … Read more
Nott has, since the project’s inception, been about ultimate heaviness and bleakness. I’ve known this one-man project since the Obsidian Depths EP, and I have also downloaded their first work, Devouring Deities. All of them fulfilled my needs for insanely heavy, slow, dissonant and distorted music. The new arrival, Abyssal, is no different.
Spewing the tale of the God of Hatred eradicating humanity, Abyssal takes us to new musical depths. From what I can tell, he’s tuning in A or A#, which is pretty damn low, supporting the concept of the abyss and surely … Read more