This week’s been a great one for post-[insert genre] music: I finally got into deafheaven’s Sunbather album and it’s awesome, the new Second to Sun releases are getting more post-black kinda stuff, the new album Laurestine from So Hideous is gorgeous, and in the weeks prior, there has been even more cool post stuff! That brings me to Hadean, which released their second effort, On Fading, last week. And it’s a real kick in the brains!
Firstly, there is saxophone (and other wind instruments) and piano that are not used timidly and accompany marvellously the barrage of distortion, … Read more
Momentum started out in 2003, in the capital Reykjavik, where more than a third of Iceland’s population resides. With black and death metal roots, they have evolved their very own sound, which could be vaguely described as psychedelic progressive doom. Their latest album, The Freak Is Alive, shows the band in its best form yet: heavy and slow riffs, intricate drumming, low vocals that sound like they’re from a Russian choir, and the use of uncommon instrumentation in some parts (sitar and bells, for example). All of this makes for an interesting listen that doesn’t wear out after repeated… 
Les Mouvements is a French instrumental jazzu progressive rock duo comprised of a drummer and a fretless guitar-harp player. Yup, an instrument that is very rarely seen or heard, with the added bonus of fretlessness! How does that sound like? Listen to the video of Laminaires below to find out.
Lately I’ve been very busy – and tired – because of work, music, relations… basically everything other than writing about weird music that only 10 people know about worldwide. Also, I’ve felt very overwhelmed recently, with the huge ass pile of new and amazing music that fell upon me. I also felt like I couldn’t convey how amazing these bands were, and that I am a poor music blogger. But I recalled that I’m not a reviewer and my role is not to critique or review albums, but just to talk about the music that I like, and that I… 
Sevish has been known in the microtonal music circles for some time now, mostly due to his 2010 effort “Golden Hour”. 2015 marks the return of the man, with Rhythm And Xen, a xenharmonic effort leaning heavily on drum & bass and electronic music, as well as breakbeat and ambient music. For the uninitiated, xenharmonic is “music that does not sound like 12-tone equal temperament”, according to Ivor Darreg, who coined the term.