Polyrhythmic anger and dissonant mathematics. That’s how I would describe Bisbâyé’s album. Rarely have I listened to music where polyrhythms truly feel polyrhythmic. On Gestalt, there’s no doubt you’ll feel each separate rhythmic pattern on its own, thanks to the ingenious arrangement of the drums and guitars, and it creates such an unnatural, counter-intuitive, and mesmerizing feel.

The band’s real focus is on polyrhythm at all cost. There is no singer, because he would probably get lost in between the times, and the metrics are prioritized over the heaviness of the ensemble, and that’s such a relief to what we’re … Read more

Of the bad names I could think of for a band, 1974 is probably one of the best at being bad! There’s probably some reason behind this choice, but let’s face it… Nineteen Seventy-Four.

Their music is redeeming, fortunately, and MCMLXXIV’s most recent album, 1974 & The Death of The Herald, is just fantastic! The Year Xzibit Was Born revive a portion of music history that is often forgotten: the pop-prog-rock era.

Between Styx and Genesis, The Eagles and Rush, ’74 brings us beautiful melodies and memorable moments, driving songs and at times complex parts that take you by surprise! … Read more