Sydney’s improvisation grind-jazz ensemble Kurushimi—or 苦しみ—is a strong musical statement since their self-titled debut in 2016, which I pretty much adored. Whether you call it directed improvisation or a musical game, they fear nothing and owe nothing to anyone.
With What Is Chaos?, the act sees Andrew Mortensen at the helm, and a revolving (and impressive) set of improvisers on their respective instrument. In over an hour of new music, they make hints to many respected and beloved (and sometimes obscure) musicians; from John Zorn to the Kilimanjaro Darkjazz Ensemble to even … Read more
The tentacled brain behind The Key to Nchuandzel has long teased me about the existence of the N’gasta! Kvata! Kvakis! album, withholding me the privilege of being able to listen to it, peer into its essence, become shattered by its gaze… Fortunately, the time of reckoning is here and the Key is unleashed, for all to be enraptured.
In twenty minutes and five tracks, The Key to Nchuandzel bewilders and astonishes incessantly with its improbable but characteristic black metal. Black metal? That’s the idea I had at first, but I’m far from being certain anymore. Grindcore, … Read more
Experimental is the land of all possibles. Bollywood paints a rather stellar example of this in the realm of jazz with their self-titled debut album. Released on 12 August, it was briefly available through TVL Rec‘s page, and abruptly taken down—forbidding my sharing it. However, this can’t stop me from talking about it.
A few minutes over thirty, Bollywood is an album of what sounds like free jazz meets lowercase music, with each track fronted by a different solo instrument—here saxophone, here bass, and so on—backed by insectile percussions, noise backing tracks, or electronic experimentations. … Read more
Poisonous indeed, the newest release from free, avant-garde jazz duo Peter Evans & Weasel Walter is a journey into the delirious mind of a poison-afflicted would-be mycologist. In forty-four minutes, the two seasoned musicians craft an album obsessed with venenous fungi that sounds as lethal as its subject. I don’t know how many layers of improvised or forethought material have been arranged to create this fever dream, but the result is a dense hallucinative soundscape as heard through thick forest haze.
Some parts are almost metal in just how harsh and intense they are–see “Sulfur Tuft”. … Read more
Patrick’s a long-time respected player and friend of mine, and his musical explorations always resonate with me. Whether it be in the mathematical Upsilon Acrux, in the zeuhlish Corima, or in any of his other projects like Nakata or Sewing Circle, his playing is emotional, raw, and unique. Rob Magill, on the other hand, is a new name for me. He’s no rookie either, though, as he’s release many albums through Weird Cry Records, influenced by classical music, jazz, noise, and many more.
Eyes in the Dirt comes from an improvisation session carried out in a … Read more