On 27 October, New York’s experimental electronic multimedia duo Ariadne will release their long-awaited fourth album, titled Stabat Mater. While I wasn’t initially fond of their previous release, Tsalal, it grew on me tremendously, leading me to believe I might simply have not been ready yet for this sort of experience. On Stabat Mater, however, Christine and Benjamin take things to a whole new level. Here, songs are shorter, but there are a lot more of them: twenty, in total – but it could be argued that there is only one, a fifty-minute giant split into various … Read more
Out in September but available for streaming now, Austrian Namby-Pamby Boy‘s self-titled third album aims at the no small task of transcending genres and categories. While not being outside of any pre-existing box, Namby-Pamby Boy is an album that breeds jazz, electronica, hip-hop, and rock together in a buffet of compositions. The ten-track, one-hour album goes from moody to energetic and offers plenty of interesting and powerful moments, thanks to the lush keyboards and meandering saxophone rocking the songs. The album will be out on September first through Babel Label.
mulating our opinion of an album before diving back into the endless sea of new releases. Sometimes, however, a confluence of factors generates a scenario in which one album stays in rotation for an extended stay before pen gets put to paper. White Ward‘s Futility Report is an album I’ve been trying to write about since January, when I heard its first publicly released song. It took about 30 seconds of that track to convince me this was a band worth paying attention to. They were kind enough to send me a review copy, but shortly thereafter, the always-excellent … Read more