明日の叙景 – わたしと私だったもの

The Music

The Words

It never fails to warm my heart when I come across a nominally “black metal” band that is willing to shed all vestiges of trve kvltitude and incorporate taboo elements of hardcore, metalcore, screamo, world music, pop, or any other style that results in a synthesis of musical ideas that stretches the boundaries of black metal’s comfort zone. On their debut full-length わたしと私だったもの (Watashi to watashidatta mono) – or, by its English title, Awakening –, Japanese quartet 明日の叙景 – read “Asu no jokei” – mingles their blackened approach with the post-hardcore intensity of fellow countrymen Envy … Read more

Panu-Pekka Rauhala – 60 Songs in 60 Minutes

The Music

The Words

Please don’t skip this because of the cover art shown above. I know it’s probably the worst album cover you’ve seen recently – or, ever! –, but the music it forbids is worth your time, I swear! Honestly, I debated whether or not I should include the “artwork” in this review… But out of respect for Panu-Pekka Rauhala‘s artistic choices, I decided to keep it, at the cost of this very warning. Ugh, it’s such an ugly cover for such a good album… It could win many art anti-awards, of that I’m sure! Well… enough … Read more

Kami Octet – Spring Party

The Music

The Words

We truly are well treated in this early 2018. So much great music has been knocking on my eardrums that it’s difficult to keep track. Although a late 2017 release, France’s Kami Octet, an avant-garde jazz eight-member ensemble, and their album Spring Party, was only just now heard by yours truly. The release is an adventurous and thorough experiment on contemporary jazz, sharing similarities with Fire! Orchestra and other such modern artists like Jaimie Branch. I’ve noticed the former mainly due to the vocal eccentricities of Christine Bertocchi, who at times recall moments of … Read more

Hago – Hago

The Music

The Thoughts

Rarely has a progressive metal fusion album been released with so little anticipation, praise, and attention while deserving so much of these. Enter Hago and their self-titled debut album. The Boston band is, as they put it, “a melting pot of progressive metal, jazz, and Middle Eastern elements”, and I couldn’t have said it better – they also call it “falafel djent”, but let’s not go there. Their group consists of the usual instrumental metal and jazz quartet of guitar, bass, keyboards, and drums, while also having a full-time saxophonist on top.

Rooted inside the Berklee … Read more

Alex’s Hand – Katatak

Russia-based R.A.I.G. (Russian Association of Independent Genres) label seldom disappoints. The latest hit from under their wings is from German avant-garde progressive rock band Alex’s Hand, and their fourth studio album, Katatak – stylized KaTaTaK. Contrary to tradition, the songs don’t follow an overarching theme or concept, but the three main chunks – “Waterfalls”, “Epic”, and “Ghost Peppers” – each tell a story through convoluted long-form structures, atypical riffs and rhythmic patterns, and a generally rather aggressive take on progressive rock and jazz rock. Katatak is unsurprisingly very colourful, despite the overall bleakness of the concepts and songs; … Read more