I’ve been anticipating a new release from French avant-garde jazz crew Omar for quite some time, since their previous album, *2 was released in January of 2015, and now, without so much a warning, the tourangeau quartet releases *3. After a quick album cover change – the original featuring another take on the “lobster phone” of their first, self-titled release – and a new bandcamp page – password forgotten, I presume? – Omar the Third is there for the world to see. Now, does it live up to the impossible expectations that countless listens of … Read more
We truly are well treated in this early 2018. So much great music has been knocking on my eardrums that it’s difficult to keep track. Although a late 2017 release, France’s Kami Octet, an avant-garde jazz eight-member ensemble, and their album Spring Party, was only just now heard by yours truly. The release is an adventurous and thorough experiment on contemporary jazz, sharing similarities with Fire! Orchestra and other such modern artists like Jaimie Branch. I’ve noticed the former mainly due to the vocal eccentricities of Christine Bertocchi, who at times recall moments of … Read more
Iluso has a great track record for providing us with some of the wildest, most adventurous jazz albums out there. I think I’ve become acquainted with the label through dMu’s Synaptic Self, which was a true revelation to me! Today, they’re back with Death Drag‘s debut album, Shifted.
Shifted is like a free jazz album built with the tools of noise metal. The trio consists of drummer and composer Mike Caratti, aided by Santiago Horro on heavily distorted bass guitar, Roberto Sassi on guitar, and Luke Barlow, who plays keyboards and Rhodes. Each … Read more