Ring van Möbius – Past the Evening Sun

The Music

The Words

Ring van Möbius released their debut album Past the Evening Sun back in May, containing three very proggy tracks, including an epic twenty-one-minute title track, the full video of which is featured above. The Norwegian trio provide a hefty dose of Hammond organ, mellotron synths, and strong instrumental grooves, right out of 1971. There are lots of prog bands that take influence from that era, but few that make it sound new and original. Ring van Möbius are one of those few.

The lineup consists of Thor Erik Helgesen on lead vocals and keyboards, Håvard Rasmussen … Read more

Lemmings Suicide Myth – Lemmings Suicide Myth

The Music

The Words

As I was preparing to close off this week’s release amalgam, I stumbled upon this intriguing cover art in the jazz section of bandcamp’s discovery tool. After a few seconds of the featured song playing, I was sold. I opened the album page and bought it, and, minutes before the scheduled publication, included it in my weekly post.

So, what’s this album that made it by the skin of its teeth into my week? Lemmings Suicide Myth‘s second self-titled album. Based off of Tarot cards, this jazz fusion drums and piano duo is … Read more

Haolin Munk – Planestasia Suite

The Music

The Words

Jazz and hip hop are two proximate worlds, but it’s a rare treat to see them interconnect. Fortunately, Ontario, Canada’s Haolin Munk quartet is here to settle the score. In what sounds like a softer version of Montréal’s New Apple Taste, without the noise and the rock, their science-fiction concept album – who else gets hints of Clipping.? – is an astonishing jazz fusion release filled with tasty grooves, decadent solo sections, and an overall spotless arrangement work.

Since the Haolin Munk quartet is an instrumental entity, each vocal track exists thanks to the help of … Read more

Théo Ceccaldi’s Freaks – Amanda Dakota

The Music

The Words

Théo Ceccaldi is now a renowned jazz violinist, and he is now at the heads of Freaks, an experimental jazz sextet that bridges jazz-rock with avant-garde pop and Rock in Opposition. Indeed, it sometimes sound like a jazz version of French band PoiL, which is a major plus!

What can you expect from their debut, Amanda Dakota? First of all, a lot of odd themes and harmonies are sown all around the album, and the rhythm section tries to clumsily follow in odd times and bizarre subdivisions. This is something that I like a … Read more

P.O.N. – P.O.N. (1995)

The Words

P.O.N. was a Japanese jazz fusion band active in the ’90s, and whose only release is this obscure self-titled album. I wanted to talk about it, however, because it is still relevant in today’s world due to its high production value and contemporary sound. P.O.N. features forty-five minutes of blazing saxophone, guitar, and vibraphone on top of a Zappaesque backing band.

How so? Well, if the regular rhythmic modulations — frequently shifting from straight eighths to many different n-tuplets — didn’t tip you off, you might as well be deaf. However, it is, in my opinion, much more … Read more