- Saturday, 23 December
Carcajou – Quelle magnifique fin du monde (post-hardcore)
Käki – Three Pieces for Guitar, Piano and Junk Metal (experimental rock)
Planning for Burial – Below the House (Version) (post-doom/experimental)
The White Tulips and Chinese Football – 双拼 (Shuāng pīn) Half Half #1 (math rock)
- Sunday, 24 December
Morrow – Fallow (progressive blackened hardcore)
- Monday, 25 December
Adhara – Adhara (instrumental progressive metal)
Dialectical Imagination – The Angel and the Brute Sing Songs of Wrath (experimental jazz)
Heavy Blog Is Heavy – Heavy Comp Is Heavy: Volume Five (compilation)
Hyperdeath – No Fear (progressive metal)
Night Tempo – … Read more
Just in time to close 2017 with a microtonal bang!, composer Taylor Brook released Virtutes occultae: an exploratory double album for piano. Somewhere between procedural, improvised, and strictly composed, the eighteen parts of this magnum opus take you into the world of overtonality. In a nutshell, this album is played by six virtual pianos, each tuned to a different 11-limit just intonation tuning. The details on how Brook’s approach extends Partch’s are scarce and blurry, but, in any case, the result is utterly mesmerizing. The fact that the music is played only by pianos, virtual ones at that, … 
This British septet just released their sophomore album, Fallow. The band’s raucity is most apparent in their folk-influenced, blackened hardcore sound, which covers most if not all of the playtime of this album. The most entrancing moments of this forty-five-minute album are present in its opening and closing acts; “Auguries of Menace” and “Crown in Red” respectively. Although all the songs played here reek of a sense of doom and impending destruction, the two aforementioned acts push it one step further and develop this feeling over the course of twelve minutes. Morrow‘s use of violin is genially implemented …