遺伝学者 – 芸者

The Music

The Words

Good can come from death. Some would argue that, indeed, djent is a dead genre. I’d have to admit that it has seen better days, but, every once in a while, some shiny thing rises through the ashes and comes to the surface. A miniature speck of jade in a dull grey pile. Today, this is thanks to Mexican quartet 遺伝学者 (Iden Gakusha) and their Japan-oriented EP, 芸者 (Geisha). I believe the band achieves something great with this twenty-minute EP; here’s why.

First of all, the foundation of djent—and metal—is the riffs. Fear not, the riffs … Read more

Five Pound Pocket Universe –
Brain Bubble Party

The Music

The Words

Jazzgrind is one of my all-time favourite musical genres. It’s often very wild, barely tamed, so it goes into whichever direction it wants to go, and changes decision every thirty seconds or so. Swiss trio Five Pound Pocket Universe excels at this, and their debut album Brain Bubble Party is the proof of it.

Not only do they interweave metal, jazz, and grindcore in many aspects of their compositions, they seem to have a certain musical fetish for Japanese music, which also appears out of the blue on some occasions, sprinkled here and there throughout the … Read more

Bangladeafy – Ribboncutter

The Music

The Words

New York-based mathcore duo Bangladeafy made waves as early as 2011 with their debut release, This Is Your Brain on Bugs, and kept surprising and impressing with each successive release. This month, the drums-and-bass band releases Ribboncutter, a twenty-two-minute EP showcasing the culmination of their years of experience and experimentation.

Adding to their more natural-sounding beginnings, bassist John Ehlers now shamelessly uses a multitude of pedals to enhance the sounds that can only come from his bass guitar. Besides the to-be-expected overdrive and distortion, there are certainly a few other ones: reverb, echo, delay, … Read more

Big Heart Machine – Big Heart Machine

The Music

The Words

I’ve been waiting on this release for as long as it has been announced (or very nearly so), but, when it was finally released, it was impossible for me to listen to it attentively and, thus, prepare a short review before the month’s end. It is doubtless that I can say that Big Heart Machine would’ve made it in August’s monthly recommendations, but you’ll have to be content with this belated, overdue one.

Big Heart Machine is the eighteen-piece big band under the baton of Miho Hazama and the production of Darcy James Argue, another Read more