That’s the new project of Hunter Hunt-Hendrix, most famous for being the brain behind the American black metal band Liturgy: Kel Valhaal. Borrowing the name from a song on “The Ark Work”, the latest of his other band’s albums (more on that later), it completely lets go of the black metal aesthetics in favour of a completely electronic soundscape, along with clean, monotonous vocals. While most of Liturgy’s work can be labeled as metal, The Ark Work did go into extremely experimental territory, abandoning harsh vocals and bringing in the sound of bells… lots of bells. Kel Valhaal has … Read more
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Dreare – Blank and Forward
Dreare is an instrumental post-metal band from the Czech Republic, whom I was introduced to last year when Dave covered them in a One Sentence Review. Being a fan of instrumental metal I decided to check them out, and i’m glad I did!
The trio’s debut album, Blank and Forward, is full of subtleties and nuances. Reverb and feedback are used heavily, making the music sound raw and natural. The lack of complexity in the music also helps accentuate this, as you’re paying just as much attention to the space in between notes, as you are the … Read more
OSR: June 9th, 2016

Here’s what caught my ear lately.
Yūgen‘s album, Death by Water, is simply a fantastic avant-garde metal album. I won’t go into much details as I believe Dillon will write a review on it, but go and listen to it!
EXPLAINING Eximperituserqethhzebibšiptugakkathšulweliarzaxułum – Prajecyrujučy Sinhuliarnaje Wypramieńwańnie Daktryny Absaliutnaha J Usiopahłynaĺnaha Zła Skroź Šaścihrannuju Pryzmu Sîn-Ahhī-Erība Na Hipierpawierchniu Zadyjakaĺnaha Kaŭčęha Zasnawaĺnikaŭ Kosmatęchničnaha Ordęna Palieakantakta, Najstaražytnyja Ipastasi Dawosiewych Cywilizacyj Prywodziać U Ruch Ręzanansny Transfarmatar Časowapadobnaj Biaskoncaści Budučyni U Ćwiardyniach Absierwatoryi Nwn-Hu-Kek-Amon, Uwasabliajučy Ŭ Ęfirnuju Matęryju Prach Ałulima Na Zachad Ad Ękzapłaniety PSRB 1620-26b’s Title and Album Art
Hailing straight from the country of Belarus, Eximperituserqethhzebibšiptugakkathšulweliarzaxułum gained attention to the public eye with their demo, in 2013, because of their absurdly lengthy and convoluted band name and song titles, but remained in our mind because their music was frankly good. They’re playing some [very] brutal death metal with a touch of tech-death and atmospheric thrown in for good measure. Moreover, behind the name lies hidden a very interesting, occult world and concept. It is, according to the band itself, an agglutinative neologism, with loans from Latin, Ancient Egyptian, Akkadian and Sumerian terms of “the Chaosatanic tradition”. I quote, … Read more
OSR: June 6th, 2016

Getting back in its original great regular flavour.
First up is Peter Eldridge‘s Disappearing Day. This one swings back and forth between jazz and pop, with various other influences thrown in between like folk and contemporary music. There’s even a song featuring blog-favourite Becca Stevens on voice and guitar. Overall, it’s a good and relaxed album made to please your ears, not to challenge them, and that’s a bit unfortunate. It comes out on July 22nd.
