Schammasch – Triangle, an Analysis Of

covertriangle2The Swiss avant-garde black metal band Schammasch – name taken from Šamaš, the Mesopotamian God of Justice – will release their third full-length album, simply titled Triangle, on April 29th. As the name suggests, the concept of this highly ambitious work is tripartite, each side clocking in at 33:30. Yes, that makes for more than a hundred minutes of music! Inspired by Richard MacDonald‘s sculptures, the cover album portrays circus artist Sasha Krohn, falling into nothingness, photographed by Ester Segarra. Every side of the Triangle has its own identity, and feels very unique, they deal with various concepts, Read more

Haken – Affinity, an Analysis Of

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I wasn’t introduced to Haken until early 2014 when I discovered their 2013 release The Mountain. I loved that album and immediately listened to the rest of their discography. Later that year, they released their EP Restoration which was an awesome look into their past, re-imagining and re-recording songs from their demo with higher production quality. Now, nearly two years later, we’re graced with a new full-length album called Affinity.

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If you followed Haken’s facebook page closely in January of this year, you might have seen them post a few times about the name and content of the … Read more

Slice the Cake – Odyssey to the Gallows, an Analysis Of

The release of the much-anticipated Odyssey to the West, from the progressive deathcore band Slice the Cake, has been somewhat obfuscated by some internal problems. I do not wish to delve into this, but rather write about the music itself, the lyrics, and the concept surrounding it all. Understand that I do not take any side there, but merely observe the fact that the music is out there for everyone to hear, and that I wish to express my opinions on it, as well as expose the underlying storyline. Today, I will cover the Gallows part. So without … Read more

Rorcal – Κρέων, an Analysis Of

creon-hd-front-coverGenève-based Rorcal have an extensive catalogue of furious and obscure metal that goes all the way back to 2007, with their debut EP, The Way We Are, The Way We Were, The Way We Will Be…. Throughout the years, they have carved a name for themselves in the metal community by pushing the boundaries of doom and black metal, releasing songs up to 70 minutes in length, and never making any compromise – be it on their artistic vision or the quality of their releases. Világvége, in particular, brought them to a wider audience, including myself. On March … Read more