Category Archives: Analysis

Seven Impale – Contrapasso, Review and Interview

by Matt Matheson

Seven Impale Front promo highest res RGB 3000x3000“What is the next step?”

This question is the first thing crooned by vocalist-and-guitarist Stian Økland on Seven Impale‘s sophomore album, Contrapasso. It was also the question burning in my mind after several months of listening to their debut album, City of the Sun, which was my favorite record of 2014. I’ve heard plenty of bands with elements of both jazz and prog rock, but never one that truly synthesizes those styles in perfect balance. Typically you can feel whether a band is rooted in jazz and incorporating some elements of prog or vice versa. With this … Read more

Shamblemaths – Shamblemaths

by Matt Matheson

shamblemaths
In a remote cabin, at the base of some foggy mountain, lived a hermit, who knew only two things in life: survival, and progressive rock. One morning, he looked through his collection, in reverse chronology – Spock’s Beard, Dream Theater, Marillion, Van der Graaf Generator – and settled on a record by Egg, which he dusted off and began to place on his turntable. Just then, a quite unexpected knock came at the door. Answering it, he saw a man much younger than himself, panting breathlessly from his journey.

“Are you the prog guy? You’re him, right?!”

Silently, the man … Read more

EXPLAINING Eximperituserqethhzebibšiptugakkathšulweliarzaxułum – Prajecyrujučy Sinhuliarnaje Wypramieńwańnie Daktryny Absaliutnaha J Usiopahłynaĺnaha Zła Skroź Šaścihrannuju Pryzmu Sîn-Ahhī-Erība Na Hipierpawierchniu Zadyjakaĺnaha Kaŭčęha Zasnawaĺnikaŭ Kosmatęchničnaha Ordęna Palieakantakta, Najstaražytnyja Ipastasi Dawosiewych Cywilizacyj Prywodziać U Ruch Ręzanansny Transfarmatar Časowapadobnaj Biaskoncaści Budučyni U Ćwiardyniach Absierwatoryi Nwn-Hu-Kek-Amon, Uwasabliajučy Ŭ Ęfirnuju Matęryju Prach Ałulima Na Zachad Ad Ękzapłaniety PSRB 1620-26b’s Title and Album Art

by Dæv Tremblay

covereximperitusHailing straight from the country of Belarus, Eximperituserqethhzebibšiptugakkathšulweliarzaxułum gained attention to the public eye with their demo, in 2013, because of their absurdly lengthy and convoluted band name and song titles, but remained in our mind because their music was frankly good. They’re playing some [very] brutal death metal with a touch of tech-death and atmospheric thrown in for good measure. Moreover, behind the name lies hidden a very interesting, occult world and concept. It is, according to the band itself, an agglutinative neologism, with loans from Latin, Ancient Egyptian, Akkadian and Sumerian terms of “the Chaosatanic tradition”. I quote, … Read more

Follow the White Rabbit – Endorphinia, an Analysis Of

by Dæv Tremblay

a3247440373_10I’ve been a huge fan of this band since November 2012, just a couple of weeks after the release of Endorphinia, their latest – and last – album. I can’t exactly remember how I discovered Follow the White Rabbit… Was it a friend’s recommendation? A blog mentioned it? A post on some music forum? I don’t know, but I just want to thank that person. Endorphinia has followed me through three years and a half now, and yet I never wrote a fully detailed review on it. I did mention it a couple times, here and there, … Read more

We Lost The Sea – Departure Songs, an Analysis Of

by Ignacio De Vincenzi

lostheseaLosing someone you love or care about is a moment that every human being endures at some time of their life; it is often described as a period of grief that takes enough time to overcome and it is represented in many ways depending on the people it affects. For Australian post-metal band We Lost The Sea, tragedy struck hard when their singer and friend, Chris Torpy, took his own life in early 2013. The band decided to move on and carry the legacy of their fallen brother; reinventing themselves with their 2015 release Departure Songs, creating a … Read more