New York-based mathcore duo Bangladeafy made waves as early as 2011 with their debut release, This Is Your Brain on Bugs, and kept surprising and impressing with each successive release. This month, the drums-and-bass band releases Ribboncutter, a twenty-two-minute EP showcasing the culmination of their years of experience and experimentation.
Adding to their more natural-sounding beginnings, bassist John Ehlers now shamelessly uses a multitude of pedals to enhance the sounds that can only come from his bass guitar. Besides the to-be-expected overdrive and distortion, there are certainly a few other ones: reverb, echo, delay, … Read more
It’s here! It’s finally here! Listen to the Cryptic Tree EP in full right now, 24 hours before its official release! Let’s bask in the glory of heptadecaphonic music, and the occasional polyharmonic passage with icositritonic tuning, crafted in collaboration by Portland, Oregon’s The Mercury Tree and Seattle, Washington’s Igliashon Jones of Cryptic Ruse.
I shan’t say more! Let the music speak for itself. This record is mind-blowing, so check it out!
Releasing tomorrow on October 19th, the aptly named new album from Mike Mills’ Toehider is not just “Good” it’s great! But that’s to be expected of Mike as he’s continued to push the envelope in the prog genre in weird and interesting ways.
Mike’s early work under the name Toehider consisted of twelve EPs that he completed in twelve months. Quite a demanding schedule that only someone as crazy and driven as Mike could accomplish. I first really started following Toehider around when he crowdfunded his last album, What Kind of Creature Am I?, on the … Read more
I first discovered Kaipa about a decade ago when I was really into The Flower Kings and was exploring their various side projects. The Flower Kings frontman Roine Stolt was a member of Kaipa during the late 70s (when he was only 17), and during their reformation in the early 2000s, but left after their 2005 album Mindrevolutions. Children of the Sounds, out on September 22nd, is now the eighth album since Kaipa’s return, and thirteenth overall.
The dynamic between Patrik Lundström’s and Aleena Gibson’s vocals is quite powerful and something that has always stood out to me … Read more
Finisterre — or, the end of the Earth — is German atmospheric black metal band Der Weg einer Freiheit‘s sophomore album, following 2015’s widely-praised Stellar. While I personally wasn’t very fond of their prior material — I recently double-checked to make sure this was still the case —, Finisterre simply blew me away. I don’t really know what change happened that made me react differently, but I believe this has to do with tighter production and compositions. The atmospheric elements are more poignant, the heavy-hitting parts hit harder, and each song is a rewarding experience to get through, … Read more