Inhumankind – Self-Extinction

The Music

The Words

The Spanish duo of Pablo Selnik and Àlex Reviriego, Inhumankind, was one of the surprises of the Spring. It would seem indeed rather bare to have a flute and double bass duo alone play songs inspired by black metal! Fortunately, the two musicians are joined by three competent singers: the harmonized vocals of Celeste Alías and Marta Valero, and the growls of Eric Baule. At first, I didn’t expect much — many projects claiming to bridge classical music and metal have come and gone without any memorable release —, but Inhumankind are able to keep … Read more

Astrakhan – Without New Growth Process Is Bloodshed

The Music

The Words

Alright, Vancouver’s progressive stoner metal crew Astrakhan released an album, in 2016, that was already promising, but today we face the repercussions of that promise. Have they delivered? I’m glad to say they do. Without New Growth Process Is Bloodshed is an improvement on all fronts, and possible one of the best progressive stoner albums out there! One comment on bandcamp compares it to a mix of Protest the Hero, Tool, and Mastodon. I’ve got to say that while I see the latter two parts, I have a hard time noticing the similarities with PTH. … Read more

Hago – Hago

The Music

The Thoughts

Rarely has a progressive metal fusion album been released with so little anticipation, praise, and attention while deserving so much of these. Enter Hago and their self-titled debut album. The Boston band is, as they put it, “a melting pot of progressive metal, jazz, and Middle Eastern elements”, and I couldn’t have said it better – they also call it “falafel djent”, but let’s not go there. Their group consists of the usual instrumental metal and jazz quartet of guitar, bass, keyboards, and drums, while also having a full-time saxophonist on top.

Rooted inside the Berklee … Read more

Travis Orbin – Silly String Ⅱ

More than two years after the release of the original Silly String, drummer and composer Travis Orbin comes back with its sequel to close off 2017. On , Travis inflates the concept of the twenty-minute predecessor threefold to a staggering sixty minutes. This expansion has it benefits – for one, there is more material to listen and enjoy –, but it also has its shortcomings. While the first of its name was concise and to the point, keeping only the absolute most mind-boggling tracks on record, the second one seems more spread out, less focused, and filled with … Read more