The tentacled brain behind The Key to Nchuandzel has long teased me about the existence of the N’gasta! Kvata! Kvakis! album, withholding me the privilege of being able to listen to it, peer into its essence, become shattered by its gaze… Fortunately, the time of reckoning is here and the Key is unleashed, for all to be enraptured.
In twenty minutes and five tracks, The Key to Nchuandzel bewilders and astonishes incessantly with its improbable but characteristic black metal. Black metal? That’s the idea I had at first, but I’m far from being certain anymore. Grindcore, … Read more
A cursory glance at the cover art for Annihilated, by Edinburgh’s Sectioned, might fool you into believing that this is some sort of sappy indie folk record; with its earnest depiction of what is presumably an area of rural Britain, the tones and hues of the photo seem to give a wistful, bittersweet atmosphere. However, much like the history surrounding Scotland’s beautiful capital city itself, a closer inspection reveals a much more sinister underbelly, with a hollowed out car in the foreground and lifeless winter trees in the background. It’s as if the chaotic … Read more
Cybergrindr is a probably-solo project from British Columbia. It is one of the few bands whose name actually reflects the genre they play… and they do it very right! Cybergrindr’s cybergrind is far from mundane. They see the opportunities the genre brings them, and they take them. For example, they profit from the obviously-programmed drums to go beyond what would be realistic: on ‘The Overseer Has Come Online’, they use drum hits – seemingly kick drums – at superhuman speeds to create what we interpret as musical notes, with pitch and length. And even though it’s the only place where … Read more
Ontario’s Grizzly band just released their second publication, Reaper, and it rips. Don’t get fooled by the opener, ‘Grave’, this is not horror ambient, but rather some crushing and technical experimental grindcore. You can see this right on the second track, but they keep on providing extra crunchy riffs with weird timings and rapid successions of notes. Though it is barely more than ten minutes long, excluding the Pantera cover at the end, this EP shreds mountains. I guess mathgrind wouldn’t be too far-fetched a description, as it certainly has aspects of both mathcore and grindcore working together. Reaper … Read more
An Anthology of Human Sickness is the debut EP of UK-based solo symphonic deathgrind project The Clockwork Deity. At under ten minutes long, it’s quite a short EP, but the three songs plus introduction are more than good enough to warrant a good time. While the symphonic elements were more upfront on ‘Spontaneous Abortion.’, the other songs integrate them fully and naturally to the grinding compositions. It’s quick, it’s aggressive, full of blast beats and technical riffs, and with a touch of classical music in the orchestration. The Clockwork Deity manages to craft something rather unique and entirely good. … Read more