Bambino dell’Oro – Los Belvos

a0559118185_10

Oxford, UK’s progressive fusion duo Bambino dell’Oro‘s latest album Los Belvos is a set of sumptuously textured modern jazz pieces underlaid by complex grooves. The core of the band is made up by two multi-instrumentalists specializing on drums and piano/keyboard respectively, but they also have a bassist with them most of the time and occasionally a soprano sax player as well on this release.

The album’s overall feel is energetic, effortlessly flowing between odd time signatures that are given time to breathe without overstaying their welcome. They make strategic use of a wide texural palette including instruments such as … Read more

Amogh Symphony release Aai, from their upcoming album IV

A song about mothers of this world, and of Onamika, which you’ll remember from previous Amogh songs. On IV, they’re ditching the whole “concept album” things, and rather go for an “album of concepts”. Each song is like a soundtrack to a short movie, and we can appreciate that with Aai. The song draws strong connections with world music, as well as jazz, and with a touch of metal too. I think it’s wildly successful at what it wants to be, and I honestly can’t wait to hear more from Amogh IV.… Read more

Nono Cerchio – Ombre

a0705784611_16From the beautiful Italian city of Bologna, here comes Nono Cerchio – Ninth Circle -, a progressive post-metal band with two members from one of last year’s biggest new names: Nero di Marte. Their debut album, Ombre, was released in early November, and clocks in at almost 50 minutes.

With draughts of experimental music imbuing the atmospheres of the post-metal background, we get a work of art heavy with dissonance, and deeper meaning than can be thought of at first listen. In fact, the album is influenced by Dante’s Divine Comedy, most specifically, the 32nd Canto of “Inferno”, … Read more

Sales de Baño – Horror Vacui

album art

The second release from Argentinian avant-garde jazz sextet Sales de Baño is Horror Vacui, an intriguing live performance. The ensemble is led by bassist and composer Carlos Quebrada, and also features flute, trumpet, keyboard, guitar, and drums. They definitely play “outside” a lot, but what I appreciate here is that it’s often difficult to tell what is composed and what is improvised. Quebrada has done an excellent job, at times approaching a sophisticated chamber music sound and at others harsh avant-noise.

At first, it may seem that the playing here is somewhat aimless in the way that avant-garde music … Read more

Mombu / Mosca Violenta – Hunting Demons

a0742052546_16The presence of jazz in metal music seems to be an increasingly popular trend. Most noticeably, it’s the addition of the saxophone that’s often just enough to make us think that the band has successfully merged the two genres into one, but most of the times it’s just a clin d’œil to it, and the music itself doesn’t bear any of the subjacent characteristics of jazz.

The first ones to incorporate jazz, in a form or another, into metal were Atheist, Meshuggah, and Cynic, back in the early ’90’s. Since then, it gained in popularity and it’s … Read more