Suess – 10 der größten Schlagerhits aller Zeiten

The Music

The Words

It is not every day that I am speechless in front of new music. However, the mad geniuses behind the French-based band Suess broke my inner mechanisms. 10 der größten Schlagerhits aller Zeiten is the group’s debut album, standing tall with thirty-four minutes that feels like hours. I don’t know how to describe the sounds found therein, other than they are based off of the Schlager music genre in some way.

This is an unlistenable mess… to most, if not all. However, it did strike me, oddly. I thought it was the “so bad it’s good” … Read more

Flora – Flora

The Music

The Words

From Berlin, Germany, Flora is a duo comprised of singer Flora Dekkers and pianist Benjamin Geyer. This is a very simple foundation, and, accordingly, it leads up to quite a minimalistic building, but the beauty and grace of it all entirely fills the remaining space.

At first, Flora’s voice reminded me of Lauren Kinsella’s, in Snowpoet and Blue-Eyed Hawk, but Flora’s singer has her own intonation, inflections, and timbre after the initial impression.

Flora is a simple and concise EP. It’s made of four songs, plus an introduction that is more than only a filler … Read more

Cosmo Sheldrake – The Much Much How How and I

The Music

The Words

London multi-instrumentalist, singer, and composer Cosmo Sheldrake released his debut full-length album earlier this month: The Much Much How How and I. The album shows the strong hand that Cosmo has on pop composition. Each of the fourteen songs on display are, in their own way, interesting, emotive, and full of ear hooks. I say “pop”, but the reality is deeper than that. Although many songs would definitely qualify as such, they are conveyed through a lush orchestration and a firm indie folk vibe; in the end, they are more than the sum of their … Read more

Lingua Nada – Snuff

The Music

The Words

Leipzig-bound Lingua Nada just put out their fifth release, Snuff; an eccentric, energetic album that takes elements from shoegaze, surf rock, post-hardcore, and noise rock, and blends them all together into a palatable musical paste. This full-length album sends similar flavours to the then-peerless Brooklyn band Sheen Marina, who were a favourite of mine, last year. Lingua Nada perhaps go farther than them in terms of harshness, sprinkled here and there throughout the ten tracks on Snuff, but this only works in their favour, as every time they do it feels like a … Read more

Feeding Fingers – Do Owe Harm

Hello, it’s me again, writing about another microtonal album. And yet it seems there might never be enough of those so that any release that fits under this label and that is of decent production value deserves to be talked about. Which brings us to Feeding Fingers‘ sixth studio album, Do Owe Harm. While the band’s earlier releases incorporated microtones in some form or another, it takes centre stage here. Through post-punk aesthetics intermingled with synthwave and experimental pop, Feeding Fingers shine a new light on xenharmony, and convincingly make use of different tuning systems, such as 15- … Read more