Just Mustard, Aronious, Mmulreso, and Íkarus

Just Mustard – Heart Under (Partisan)


Irish post-punk five-piece Just Mustard released their amazing new album earlier this year, back in May. Heart Under is their second album, and it really captures the ideal of the band: dark moody atmospheres, hypnotic rhythms, repeating structures, melancholic vocals, droning bass… With these ingredients, the band is able to do a lot of mileage: the album is just over 45 minutes long, and I wouldn’t like it any shorter! Between shoegaze and industrial, noise rock and trip-hop, that album is going to pull you in, that’s for sure!

Aronious – Irkalla (The Artisan

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Licho, Deadeye, Pyrithe, and Balungan

Licho – Ciuciubabka (Pagan)


Born from members of bands such as Koniec pola, -S-, Wędrowcy-Tułacze-Zbiegi, and Gruzja, Licho has quite the pedigree! With this project, however, the members steer away from black metal and into a very unique and dark psychedelic post-punk aesthetic. The result is simply astounding. Guitars full of effects, hypnotic rhythms, Sprechgesang-ish vocal delivery, and droning harmonies will conspire to suck you into a dark vortex. This album got a lot of spins from me, and I hope you too!

Deadeye – Deadeye (Dox)

Hammond, guitar, and drums. You know the drill. This is going to be… Read more

Feeding Fingers – Do Owe Harm

Hello, it’s me again, writing about another microtonal album. And yet it seems there might never be enough of those so that any release that fits under this label and that is of decent production value deserves to be talked about. Which brings us to Feeding Fingers‘ sixth studio album, Do Owe Harm. While the band’s earlier releases incorporated microtones in some form or another, it takes centre stage here. Through post-punk aesthetics intermingled with synthwave and experimental pop, Feeding Fingers shine a new light on xenharmony, and convincingly make use of different tuning systems, such as 15- … Read more

It’s the Lipstick on Your Teeth – Skintrade

Between noise and hardcore, Austrian group It’s the Lipstick on Your Teeth just released the highly-anticipated Skintrade, a thirty-minute escapade into noise punk that will leave you asking for more. Michelle’s aggressive yet melodic vocals are at the forefront of the band’s assault, which is heavily complemented by synths and samples, which make up most of the background instrumentation. Although quite short, the album is not short of great moments, either memorable melodic phrases or sublime digital bombardments. In conclusion, Skintrade is a very worthy addition to your noise punk playlist.

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