We recently often write about bands who bridge post-hardcore and progressive metal, it seems, and some also other genres, but here’s one that almost uncompromisingly links it with black metal. Redshift Pilots released their debut full-length album, Moonlight Synthesis, in early October. It impatiently shows its black colours with fervent blast beats and tremolo picking riffs, but then sways into atmospheres of post-rock and post-hardcore ambiances seamlessly and in an honestly impressive manner. Sure, some tracks stay more on one side than the other, like “Overgrown”, which is almost entirely post-rock, but has a blackgaze twist near the end, … Read more
Kamancello – Kamancello
Improvisation is the cauldron in which most great music is born, but for most musical acts it is just the beginning of the composing process. Some artists, though, are secure enough in their creative talents to make improvisation an integral component of their sound. The right musicians and framework can produce magic with this approach, and that’s precisely what a pair of internationally renowned string players have done on the self-titled debut album of Kamancello. If you like improvisation, chamber music, and portmanteaux, this is the album for you.
Kamancello juxtaposes the dynamic cello performance of Raphael Weinroth-Browne, whose … Read more
Barren Plains, Dawn Ray’d, Cervidea, Pingvinorkestern, Bird Problems, Black Kirin 黒麒, Mouthbreather, The Chasm, and Möbius
Barren Plains – Adrift
Barren Plains’ debut is a four-track EP of some great post-metal. The instrumental band builds strong atmospheres upon repetition and evolution of riffs and themes on top of odd-time measures. Each of the untitled tracks is as poignant as the previous one, which results in a memorable release. Name your price on bandcamp!
Dawn Ray’d – The Unlawful Assembly
This British black metal with a folk music tinge group makes wild songs, and The Unlawful Assembly is no exception. Wilfully atmospheric and at times chaotic, it’s an aggressive and vindicative album to revolt to.
Cervidea – … Read more
Not from Here – Not from Here
The Minnesota trio Not from Here puts a twist on the regular mathcore formula: the expected bass guitar is here replaced by a cello. This alternative lineup gives way to an interesting contemporary classical facet to the band’s music, most strikingly on their kétjegyű szók, “Ab”, “De”, and “Ex”, while being underlying in all the other tracks. Speaking of which, the songs on their self-titled sophomore release range from caustic mathcore to post-hardcore, with drafts of polyrhythmic sludge – the ending of “Should Certain Conditions Arise” –, drone metal, and progressive metal. It’s all instrumental, giving the music ample … Read more
Kurws – Alarm
Kurws are a peculiar entity. Alarm is their most recent release, and is almost embarrassingly good. “Nagonka” readily baffles you with its odd polyrhythmic bouncing groove accompanied by saxophone and recording artefacts left in. It’s composition aimed at emulating free improvisation, or is it? It doesn’t matter, the result is the same: Alarm is disconcerting and wild! The Polish quartet certainly continues to experiment with music and push themselves on the brink of cohesion. Thanks to analog tape recording, the texture of the sound is at times very grainy, giving even more consistency to the aural soup we’re served, which, … Read more