Helsinki, Finland
On Edition
Austin, Texas
Layton, Utah
Oslo, Norway
On Nakama
Tours, France
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Comprising Canadian cellist Raphael Weinroth-Browne and Iranian kamanche player Shahriyar Jamshidi, Kamancello is the fruit of collaborative improvisation, with the dynamic skill sets of each player bouncing off each other in unique and enchanting ways. Weinroth-Browne has, in a sense, the more challenging job of delicately balancing low-end rhythmic richness with melodic lead performance and harmonization; Jamshidi, with all his talents, is restricted to the higher range of his kamanche (think Persian violin) and thus contributes almost exclusively higher leads and harmonies. The duo juggles their three modes (kamanche leading, cello leading, dual harmony leads) with precision and aplomb. Coming … Read more
New Rituals is a huge offering. First, it’s a triple-disc album clocking in at almost two hours long. Deuzio, it reiterates the same compositions on the three discs, but the first one is for ensemble and choir, the second one for ensemble alone, and the third one for solo bass. Tertio, its source material is ten ancient Zen Buddhist sutra chants. The aforementioned ensemble is made of two violins, piano, drum, and bass, which lends a peculiar sound halfway between contemporary classical and traditional … Read more
New York, New York
On Outside In Music
California
Berlin, Germany
On Jazz-O-Tech
UK
Fortuna, California
On Montgomery Street
You’ve already seen a similar figure if you’ve read my post Marathon: Understanding Ratio Morphing. Here, I’ve added subdivisions of time from 5 to 8, but in practice they also include subdivisions of 2, 3, and 4, and we’re going to look over them relatively succinctly today.
First, how to read this graph. It’s important to know that it’s read from left to right. The leftmost boundary is the start of a measure, and the rightmost one the end of it. If you’ve ever used Guitar Pro or a similar notation software, you can easily imagine a cursor moving … Read more