With members from Poland and Chile meeting in the Netherlands to play modern, progressive jazz together, Quantum Trio just released a massive hour-and-a-half-long double album, Duality: Particles & Waves. Besides being of massive scale and tremendous musicianship, Duality is a concept album on the wave-particle duality, an important concept in quantum physics. The first disc, Particles, is focused on the tangible, while the other one, Waves, embodies the ethereal facet of matter and energy. Concretely, the shift is very noticeable on the music itself. As per their own description, Particles contain polyrhythmic tunes and ballads, both undeniably … Read more
Australia’s experimental rock band Porcus vs. Equus just released a single, or short EP, under the name Music out of Shit. With merely three tracks and a runtime of just eight minutes, M.O.O.S. is very short, but also very sweet. First of all, ‘Wet Sugar (Player vs. Environment)’ is a magnificent song to begin with. Reminiscent of the Spaghetti Western aura of Robotmonkeyarm, with their reverb-laden, aggressively-plucked overdriven guitar notes, Porcus vs. Equus bring in some rhythmic and structural surprises into this complex ear-worm of a song. At over three minutes long, it’s the least concise of the triptych, … Read more
Last week, I’ve announced that I would be doing a Questions & Answers/Ask Me Anything type of post, and so this is it! I’ve received some questions over on facebook and on the website, so I’ll answer them the best I can here in this post!
First let’s see what’s on the website! First comment comes from James Marshall:
Just want to say that I love the blog! It’s in my daily bunch of webcomics and blogs and news that I check every morning when I get into work. Thanks for all the great recommendations!
Thanks a lot! … Read more
We recently discussed a band that takes math rock to the extremes in terms of technical skills, to the detriment of the ‘math’ aspect, but here’s a band that does the opposite. Marateck don’t play thirty-second notes and they don’t quickly arpeggiate extended chords, but they ingeniously integrate polyrhythmics and polymetrics into often odd-time signature compositions. This is more evidently displayed on their debut album, Time Is Over, which was released on July eleventh. Of course, playing such counter-intuitive timings and measure subdivisions is a technical feat in itself, but it unfortunately garners much less attention than playing … Read more