Tag Archives: post-doom

Best of Post-Metal 2021

by Dæv Tremblay


Post-metal is often slow and atmospheric, somewhat akin to doom metal with riffs, or post-rock with riffs. There’s been a lot of really good post-metal this year, so here are my favourites!

Number Five: Cave Sermon – Memory Spear

Australia’s Cave Sermon released a jaw-dropping debut this year with Memory Spear, an amazing atmospheric post-metal album with a tinge of black metal inked into it, which makes for a marvellous entry into our top 5!

Number Four: Daxma – Unmarked Boxes


Doomgazy post-metal with melodic female vocals over drawn-out chords and slloooww riffs. Is that what you want? Then … Read more

Best of Doom Metal 2021

by Dæv Tremblay

Number Five: Dream Unending – Tide Turns Eternal


Dream Unending’s Tide Turns Eternal is an amazing progressive doom album that has some of that psychedelic edge that adds a lot to its sound! A great album to start our top 5!

Number Four: Intaglio – Ⅱ


You might’ve noticed it by now, but I’m not really into the whole funeral doom thing. The closest I’m willing to approach it is exampled by Intaglio’s atmospheric doom album. The album has a true sense of beauty through desolation, and it’s one of the stronger candidates for this year!

Number Three: Big, Brave

… Read more

Leonov – Wake

by Dæv Tremblay

The Music

The Words

Leonov, from Oslo, Norway, is a band that calls itself a blend of post-rock and metal. Wake is set to be their second release, after a self-titled album in 2014, and will be out on Fysisk Format on October 26. The quintet is made of Tåran Reidal on vocals and keyboards, Ole Jørgen Reindal and Rune Gilje on guitars, Morten Kjelling on bass, and Jon-Vetle Lunden on drums. It’s the first time I’m acquainted with the band, but a few minutes only sold me on it. Let’s see what it’s all about…

Wake commences rather … Read more

Charnia – Het laatste licht

by Dæv Tremblay



Belgian post-metal band Charnia released their most recent work on 20 October: the forty-minute unbroken track “Het laatste licht”. Grossly, the album-length song is split in two vague sections. For the first half or so, it’s a chamber music session comprised of a violin and double bass duo where lazy and languid voices interweave to form a droning piece, between melancholy and despair. The second half starts past the twenty minutes mark with a drumbeat that is soon joined by the rest of the band. For the remaining time, strings and electrics join forces in a slow, heavy, and pounding … Read more